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Hyland Park Chelmsford, Monday 27th August 2001 By Gordon Jamieson, Scotland

I could see these early set offs and long journeys far enough these days, I thought as I went to bed around one Am. At 5.45 AM off went the alarm. “Here I go again,” I thought to myself as I staggered from bed. Why do I do this I asked myself, especially when it involves travelling through London. (Even by public transport)  I would be finding the answer to that question between 7.45 and 11.00PM that night.  Anyway at 5.30 AM the taxi was waiting to take me to Glasgow Central Station for the first train to London.  Arriving in Chelmsford at around 2PM, I Checked into my hotel and was delighted to meet two of my fellow hollies fans there. It’s always great to know you’ll have company in the hotel after the show.

Arriving at Hylands Park around 6.30 I was amazed at two things.  Firstly the size of the crowd and secondly the size of the stage.  On making my way to the front it was great to see so many of the friends I have made over the eight years I have been travelling to see the band.  The show was compared by one of my all time favourite DJ’s, D.L.T. it was great to see him and hear his familiar “patter”.  The first act on the bill was a beautiful tribute to the Carpenters. The young lady’s voice sounding almost as sweet as Karen herself.  They opened with “we’ve only just begun followed by “Top of the world” then going on to the one I thought they’d have kept till the end the lovely “Close to you”.  However I must admit that “yesterday once more was a much more appropriate ending to a stunning performance.  In between they did an impressive medley of Carpenters hits as well as a few more in their entirety.

After some more humour from Dave, it was onto Rumours of Fleetwood Mac. They started with a track I wasn’t familiar with, “Angel” however as the night went on there were many of Fleetwood Mac hits including “Go your own way and one of my favourites “Rhiannon” and of course there was plenty from the Rumours album. However the highlight of this part of the show for me came when the two ladies left the stage (nothing against them) and the men were left to do a couple of well chosen numbers from the Peter Green days.  The rousing “Oh well” and the beautiful “Albatross”

Next came one of my all time favourite bands “The Manfreds” On they came with their famous opener 54321.  Many other hits followed. Just like a woman, semi detached suburban Mr James, Pretty flamingo, a slow version of sha la la. And of course not forgetting "Do wah diddy diddy dum diddy do" and Mighty Quinn. Another interesting part of the manfreds spot was when they departed from the hits and did an American album track “watermelon man” which also incorporated Paul Jones’ solo hit “Bad bad boy”.   

Well after all this and the HOLLIES STILL TO APPEAR, What can one say?  I could hardly wait and it was not long until the familiar build up to The Hollies on stage appearance could be heard and then as usual they appeared one by one to rapturous applause. 

The build up led them strait into I’m alive followed by Here I go again and Jennifer Eccles.  After this Tony welcomed everyone to the show in his usual friendly manner. 

Sadly with the limited time, there was little time for much stage talk, but after all it was the hits the people had come to hear and that’s what they got, 

Carousel, Just one look, Bus stop, Carrie Anne, Stop Stop Stop, they just kept on coming and the crowd of around twelve or fifteen thousand were loving every minute of it. I thought it was a pity there was no time to do Soldiers song, Peggy Sue got married, and Blackbird or Butterfly, but then you can’t have everything can you? There was time however for “Blowing in the wind” one of only two songs I think the hollies have ever performed from the Dylan album. The other being I’ll be your baby to night. (It’s long time past we were hearing that one again)  

Of course there were also the Move hits “Flowers in the rain” and “Blackberry way” (The crowd showed great appreciation for that one) Then up to the centre mike came Ray Stiles for “Tiger feet” which had the Audience jumping. 

As always though it was “Air” and “Heavy” that had the crowd ecstatic.  It was fantastic to see such a large audience showing such excitement for the Hollies.  Who says sixties music is a thing of the past?  Certainly not the people at the Chelmsford double decade extravaganza.  

After the show it was back to the hotel for a “wee dram” with my two friends.  The following morning, the long journey ahead didn’t bother me a bit. I travelled home with more happy memories to cherish for ever and with the knowledge that these long and sometimes awkward journeys are ALWAYS Worthwhile.

Gordon Jamieson, Scotland

Lincoln Castle, Saturday 25th August 2001 By Rick Laws

What an atmosphere on the night, luckily all the rain that was promised kept away, and it was a very dry & warm night for this outdoor concert. 

There were 2 bands on before The Hollies finished the night (top of the bill).

It got to 9.30pm & The Hollies were on, it seemed like everybody was trying to get to the front of the stage (where I was) to hear all the hits that were performed. Carl Wayne's performance was brilliant, Tony Hicks Beatle haircut (who my wife thought looked like Neil Morrisey) was brilliant on guitar, Bobby Elliott's backbeat, Alan Coates, Ian Parker & Ray Stiles (Mud). 

The hits came thick & fast, Bus Stop, Just One Look, Yes I Will, Look Through Any Window, He Ain't Heavy, I can't let go, I'm Alive, Here I go again, Stop Stop Stop, On a carousel, Carrie Anne, Sorry Suzanne & many more, with Carl Wayne even bringing back memories of his Move days with Blackberry Way & Flowers in the Rain, not forgetting Ray Stiles with Tiger Feet.  An excellent version of Bob Dylan's Blowing in the Wind was done which Carl sang brilliantly. 

All harmonies were A1. The lads did 3 encores on the night, which finished with a great firework finale.

A show not to be missed & a great night had by all. 

I know I have mentioned the word BRILLIANT a lot, but they were.

Rick Laws

Regent Theatre, Stoke-on-Trent  20th May, 2001 -  by Dian Harrison

Even though this Hollies tour seemed to have been much longer than normal the last night, as usual had arrived all too fast.  Back at Stoke, though not in the same theatre, where Allan Clarke had said his final goodbyes.  Sad memories all round.  The last night is always the best and the worst of nights.  It is not just the group but the many friends we have made through meeting at the Hollies concerts that we are saying goodbye to till the next tour.

It was obvious as soon as the band came on stage that it was going to be a good night.  The audience clapped and cheered as each one of them took their place, and once again the opening set brought the house alive.

Tony stopped to check the front row telling the audience that in Guernsey they had achieved a first – a lady on the front row who sat knitting all the way through the concert.  Little did they know what was in store!

As each song came and went you could tell the band were enjoying the concert as much as the audience.

The audience were stilled as usual by Carl’s wonderful performance in ‘Soldier Song’ – it was like listening to a London Theatre performance as the power and passion came through.

All too soon the opening lines of ‘Flowers in the Rain’ struck up and it was time for the fans to join in and say thank you in our own way.

Planned from Guernsey, most of the first and second row had brought knitting which was taken out to be worked on.  One by one, as the members of the band noticed, big grins appeared on their faces.

The first half ended all too soon with the Hollies own special version of Bob Dylan’s ‘Blowing in the Wind’.

On to the second half and Tony’s fingers were excelling themselves yet again with a wonderful guitar solo during ‘TooYoung to be Married’ and his own introduction to ‘Stop, Stop, Stop’.  I have been lucky enough to go to concerts to see some of those guitarists considered “great” and it is about time Tony was ranked alongside them.

Ian had already made a friend in the audience during his usual trip around the theatre during We’re Through and by now the whole party of them were on their feet dancing. Very soon to be joined by the usual front row gang.  By the time Ray came centre stage for ‘Tiger Feet’ the audience were on their feet and joining in.  The applause at the end of ‘Long Cool Woman’ as each one of the band was introduced was deafening, soon to be stilled as the closing harmonies of “It’s in every One of Us “ rang out.  I am sure I was not the only one in the audience with a lump in my throat.

When Carl took over from Allan we were all listening to see how he would deal with all the old Favourites, but now he has found his own path and his voice, which has such incredible depth and passion, has added a new dimension to the stage performance.   The other members of the team ‘really look’ as if they are enjoying themselves and are matching Carl's’ skill with their own.

The Hollies are pure team work – and that includes the backstage team who organise and make the whole evening into such a polished performance – and such a team deserve to be on top.

And right at the top is where they should be.

Dian Harrison

Regent Theatre, Stoke-on-Trent  20^th May, 2001  By Emma Maddocks

At long last The Hollies were performing in Stoke-on-Trent again. For me, 20^th May could not come quick enough and Dad (who I have to blame for introducing me to The Hollies music!) and I had seat four rows back right in front of Tony Hicks.

Well, what can I say? The performance was a spectacular as always, flawless, except for a brief loss of lighting during the second number which sparked a humorous the comment from Tony that The Regent should pay their electricity bills on time in future!

I must admit, I was a bit dubious about Carl, (having always seen Allan Clarke on stage), wondering what the old favourites would sound like without Allan's distinctive style. As I soon found out, I had no need to worry as Carl blended perfectly with the renowned Hollies harmonies and from virtually the first line I was won over. For me it was like he had always been there. (Sometimes adding his own style to some vocals, but it worked well.)

The number included all the hits including, 'Bus Stop', 'I'm Alive', 'Sorry Suzanne' and The Air that I breathe and many more, I think you get the picture. The added bonus was the inclusion of less well-known numbers, 'The Soldiers Song', 'The Baby' and especially Tony's 'Too young to be married', one of my favourites. Tony Hicks more than deserved the applause he received for the guitar work in this song. Sitting so close I could see his fingers flying over the frets, an amazing talent to watch. I was spoilt, these were songs I never thought I would see performed live and I hope that next time Stoke is graced with The Hollies presence that we are treated to more of the same!

The Hollies also added their distinctive style to two of The Move's songs, 'Blackberry Way' and 'Flowers in the Rain' which worked really well. Then of course, there was Alan Coates singing 'Butterfly' as always, a real treat. One number that got the audience dancing was Mud's 'Tiger Feet' with Ray Stiles on lead vocals, a really fun song! Not to forget 'Stop Stop Stop' with that banjo, another song that is always guaranteed to get an audience moving and tonight was no exception.

Ending on 'He ain't heavy' bought the group a well deserved standing ovation and shouts for more! So, how can I sum up what was for me a superb evening, only by saying I didn't want it to end. The Hollies are definitely the most talent group to watch performing live always delivering a professional show. With the addition of Carl, the support of long standing members and the ever present Tony Hicks and Bobby Elliot, the night was complete. As Carl commented, I am sure the applause received throughout showed the appreciation of such a talented group and classic songs. It was certainly a seal of acceptance for Carl and a sign that fans want The Hollies to go on entertaining (with their unique blend of talent and humour) forever! (if possible!).

Emma Maddocks

Littlecote House, Hungerford  Saturday 19 May   By Brian White

MY FIRST AND THEIRS

Having been married to a mad Hollies fan for the past 27 years, I have just recently experienced my first live Hollie concert.

The venue, Littlecote House, a Warner's adult only hotel near Swindon.

On arrival we checked out the hall where the show was to take place, small and cosy to say the least.

Saturday arrived, the day of the show and the hall was sealed off. Like an SAS operation, roadies dressed in black began transforming this tiny stage area into a sea of speakers, amplifiers and lighting, completing their work by late afternoon.

At 10 PM the band walked on stage feeling a bit uncertain I'm sure after just witnessing their audience dancing the Fox Trot, Waltz, and the military two step. Some looking as if they would struggle to raise a glass let alone the roof.

Not the usual dancing they would expect to see at their shows!   However,  it only took a couple of songs to show that the whole audience was up for a good time and enjoying every minute.

My first impression was that this was not The Hollies that I hear played all the time at home and in the car, but the introduction of Carl Wayne as front man has to me made them more upbeat and all their personalities seem to gel.

The sound was perfect for such a small venue (10 out of 10) and the introduction of The Move and Mud numbers was great!

The show lasted for 1 hour 40 minutes and even then the crowd wanted more, a truly excellent show.

Carl asked the audience if the band still had some years left?

Going on the response of the crowd they could carry on for a very long time to come.

Finally I would just like to thank our very good friends Pom and Jim for arranging the dedication to us such a surprise!

Many thanks, Brian White

Fort Regent Jersey, Saturday 12th May    By Isobel Osmont    Courtesy

The band was formed in the early 1960s and here they are in 2001, still performing to thousands of fans every year, all over the world.

Admittedly, the line-up has changed in that period - probably most memorably when Graham Nash left to form Crosby Stills and Nash, and more recently, when Allan Clarke, lead singer and another founder member, retired - although The Hollies must surely be the only band of that era with a couple of the original members, guitarist Tony Hicks and drummer Bobby Elliott, still in the line-up.

Besotted

Not only that, but there are some people in the UK who are so besotted with The Hollies that they go to as many concerts as they can.

Two of them, Chris and Sheila Bowen from Birmingham, have been to all their concerts throughout the British Isles and occasionally overseas, since 1988, while sisters Helen and Claire Wright from Burnley said that they were attending their 200th Hollies concert.

'Tony is the reason we come,' they said, while Chris and Sheila who also produce the fan magazine Carousel (named after one of the songs), insisted that their presence at every show was certainly not because they are rich or daft, as one member of the band had once asked them.

'The Hollies are just very, very good,' they said. And, indeed they are.

They don't just sing pop music from the sixties - or seventies or eighties,  for they had top ten hits in each of those decades too -  they sing songs which even ardent fans didn't know, and some they did know but weren't aware the Hollies had recorded, such as Blowin' In The Wind, made famous by Bob Dylan.

One of the truly unknowns was Soldier's Song, written by Mike Batt of Wombles fame, and which was, deservedly in my opinion, a huge hit - but never in Britain.

Its a haunting song about a young man going to war and learning at first hand of its brutality. The dramatic lighting and the drum rolls which sounded like machine gun-fire also had their impact on the audience.  You could have heard the proverbial pin drop for a few seconds as the last notes faded.

That song came about half way through the first half. At the start of the show the six members of the band walked sedately on stage, as befits men of 50 plus. But as soon as they launched into the songs for which they are famous -  I'm Alive, followed by Here I Go Again, then Jennifer Eccles, Just One Look and Carousel -  we were transported back in time by the songs, and the energy and power of the performance.

Bopping

Soon most of the audience were singing along or, at the very least,  tapping their feet -  we're an undemonstrative bunch in Jersey.

I did wonder why the concert was an all-seater affair, especially having seen the over 40s dancing the night away when Showaddywaddy were here last year. Did people not dance because the seats were there, or were the seats there because they weren't expected to start bopping in the aisles anyway?

It wasn't until the second half that a few people let go their inhibitions and got to their feet to dance. Even then, only one person seemed to know the steps for Tiger Feet. You would be correct in thinking that song was not one of The Hollies' -  it was performed as a tribute to Mud since, in a previous incarnation, bass player Ray Stiles was a member of the 70s band prior to joining the Hollies.

The newest addition to the line- up, lead singer Carl Wayne, has been a member for just over a year since Allan Clarke retired, and has melded seamlessly with the group. He has a superb voice which was first heard when he was lead singer of the Move.

He sang The Hollies' classics extremely well, and with obvious enjoyment, and the addition to the repertoire of a couple of Move hits, Flowers in the Rain and Blackberry Way, in no way jarred. Indeed, it complemented the music, and the audience enjoyed it too.

When the band came back for the second half they had changed their outfits, Carl Wayne looking very dramatic in shiny leather pants, while Tony Hicks' mandarin collared suit took us back 30 years. Still, since he looks about 23, it was a nice touch.

Three other songs are worthy of special mention. The first was Blackbird, the McCartney ballad arranged by The Hollies for two guitars and three voices.

Spine tingling

Performed by Alan Coates and Tony Hicks, who both have superb voices and are wonderful guitarists, the song also highlighted the voice of Ray Stiles.

Graham Nash's song Butterfly provided another opportunity for us to hear Alan Coates, while Buddy Holly's Peggy Sue Got Married, penned by the man himself and, by the wonders of modern technology sung by him too, and accompanied by the band, was spine tingling as Carl Wayne moved into the shadows and the lone spotlight shone on the empty mike stand.

The rest of the show consisted of more Hollies hits, and it included the wonderful The Air that I Breathe and, of course, He Ain't Heavy, He's my Brother -  how could they not sing that one?

The final song was a simple vocal number sung by five of the six which showed, as if anyone needed reminding,  just what consummate musicians these guys are.

My friend, and those fans from England, are right. The Hollies are very, very good.

The Hollies are approaching their 40th anniversary - it will be in 2003 - yet they still go on tour every two years,  notching up to 60 gigs each time.

Tony Hicks is one of two original band members still in residence since those far-off days of the 1960s.   Then, The Hollies were up against the likes of The Beatles, The Moody Blues, The Stones and an American singer called Elvis Presley.

So why do they still tour? `We enjoy it,'  Tony said. `And there is such a good feel about it - it's like the 60s again. We have a whole new lease of life now that Carl Wayne has joined us,' Tony added,  enthusing about the newest boy in the band.

`His voice is a revelation. We've been knocked out by his singing and he has been accepted by audiences so readily.'

Tony went on to explain that Carl had been approached to join the band following Allan Clarke's announcement that he was going to retire in December 1999.

Stage presence

`Allan was the voice of The Hollies, a hard act to follow.  But a new voice was what we needed and Carl is a strong performer with great stage presence. And it's meant that we've been able to broaden our programme.  As well as our songs we do The Move songs - and Tiger Feet because of Ray Stiles. It gives the whole thing more variety and an extra dimension and seems like the perfect marriage.'

Tony was speaking prior to the concert at the Fort last Saturday night, which was one of the last in The Hollies' Spring tour.

`We've been to Jersey five or six times before. We always enjoy it here, though we'll not be seeing much of the Island this time as we're going back to the mainland on Sunday morning at seven o'clock,' he said.

Fans of the band will be delighted hear that a new album is to be cut in late summer at the Abbey Road studios where, in the 60's, The Hollies would be recording in one studio while The Beatles were in another, and they could pop in and listen to each other.

`EMI like what they have heard with the current line-up, so they decided we should go back into the studio.'

And the man who was responsible for co-writing such hit songs as Stop, Stop, Stop, On a Carousel, Too Young to be Married and Carrie Ann is still writing, so the new album will carry a mix of old and new.

Did he still find it easy to write, he was asked.  `It's as it always was,' he said. `You sit there for ages and there's nothing. Then inspiration comes.'

The new album promises to be something of a family affair, as Tony's son is a recording engineer at the Abbey Road studio.

As such, of course, he is used to meeting the big names of the music world, so how does he react to the fact that his father is one of them?  `He's very laid-back about the whole thing.  About ten years ago he came to Australia with us when we were on tour, but he doesn't do that very often.'

Meanwhile, Tony admits that the touring aspect has changed a bit since the early days.

`We used to travel around in the van, maybe six or seven weeks at a time, touring the USA. It was a great way of life for us. We were travelling and doing a hobby we got paid for.'

These days he manages to get home most nights while they are travelling round the UK.  `As soon as the gig is finished, around 10 pm, I get straight into a waiting car.  The roads are pretty quiet at that time of night, so I'm usually home by midnight.'

Unlike the parents of many musicians of his generation, he said that his mother and father never tried to get him to do a `proper' job.

`I was an apprentice electrician at a Lancashire cotton mill for a couple of years after I left school. They were pretty supportive about the music. I remember my father saying that he had done a real job all his life and it had never got him anywhere.  'They encouraged me to do it, although I doubt they ever thought we'd last so long.'

Although his parents died some years back. they saw their son make it big in the music industry and travel the world with the band.

Tony remembers visiting Poland in the early days.  'We weren't sure what the audience reaction would be like in eastern Europe - it was quite wild, actually.  There were other places where the audiences didn't seem sure what to do, places like Bangkok and Singapore.  Things have changed since then, but tours are always a great voyage of discovery for us, quite an adventure'

And judging by the enormous fan base The Hollies have, the adventure looks certain to continue for a good number of years yet - here's looking at the 50th anniversary.

With thanks to Isobel Osmont and the Jersey Evening Post.

Fort Regent Jersey,  Saturday 12^th May 2001 .   By Gary Godel

I am not sure if it is four or five years since the Group was over.  Last time of course Allan Clarke fronted but with all due respect to one of the joint founders of the Group anyone who knows nothing about it could be forgiven for concluding that Carl had been at the front since the very start.

80% of the set contained no surprises but very welcome additions were “Flowers in the Rain” and “Blackberry Way” this time played by the rest of the band as if they had been on the original number ones.

The Group achieved a very good sound in a difficult arena (a sports hall).  I have been there many times and the only other Group to have worked out the acoustics so well in my opinion were called the Shadows.   I  mean that is a compliment.    Of course Ian, Alan and Ray play their parts so well.

Someone once called the Shads a working band and I would put The Hollies in the same category.  I think that Bobby and Tony are fantastic instrumentalists and worth listening to in their own right. 

One can see why the Group must, perhaps jointly with the Searchers and Stones hold the record for the longest surviving in the UK.

I hope that some new recorded material can come from Carl’s arrival  which will help ensure the deserved public appreciation of this terrific Group.

And in case Tony and Bobby are interested, they were outdoor concerts at Springfield St Helier in  ’64!

Gary Godel

Bristol Hippodrome, Sunday 25th March    By Liz Dewar

Mother's Day - after a delightful day spent with my two sons, what more could this mum ask for?  An evening with my favourite band that's what!!  And that's what I got.  My long-suffering partner, Jeff, came with me and was amazed to hear how well Carl has not only fitted into, but has uplifted the band's whole performance since that first UK appearance in a very soggy Ipswich last July.

From the moment they came on stage with 'I'm Alive' their raw energy, enthusiasm, skill and humour came to the fore as the hits came, one after another leaving the audience reeling.  As each song came you think they just can't get any better, but they just do!!  Even when little hic-ups happen (all the lights went out during 'Look Through Any Window' and after the line 'What do you see?' Tony could be heard to say 'not a lot'!!) nothing seems to daunt this phenomenal band.

I personally enjoyed 'The Baby' - amazing sound from the guitar/sitar - as it showed how well Carl's harmony fits in with that of Tony & Alan Coates.

'Butterfly' sung beautifully as always by Alan (who cares if he sometimes gets the words wrong when he sings with a voice like that).  'Too Young To Be Married' - an old favourite of mine featuring the guitar genius of Mr. Anthony Hicks.  'Blackbird' - a charming little ditty having been enhanced as only The HOLLIES could do (sorry Paul)!! 

'Blackberry Way' & 'Flowers In The Rain' - a couple sitting behind us say they prefer the present versions to the ones from the 60's!!  That same couple had welcomed the interval as it had given them a chance to draw breath!!!

All too soon we get to 'He Ain't Heavy ...' - not a dry eye in the house and as the last notes fade away the band take another well-deserved ovation from a whole theatre on it's feet.  Bobby once said that playing on stage with The HOLLIES was the best fun you could have with your clothes on!  I'd  respectfully like to say he's wrong,  the best fun is being in the audience at a HOLLIES concert and seeing everyone else in the theatre loving them and appreciating them as much as I do!!! 

 I must admit when I first heard them finish the show with 'It's In Everyone Of Us' in January at Hayes it brought a tear to my eye in remembrance of Allan.  I have to say that if we had to lose Allan, then I couldn't think of anyone I'd rather see up there on stage than Carl.  The man gives 110%, is great at audience-participation and you come away feeling as if you've seen and have been part of a truly great show!!

After 25 gruelling UK dates with 5 in New Zealand and Australia in between, they still seem to be as fresh and lively (although they may not have felt it) as they did back in Hayes in January, but then that shows what professionals these guys truly are.  How many of the 'in' bands of today could do that when they've been in the business for 38 years and how many of them will still be around in 38 years?

As long as we still have The HOLLIES, who cares about the rest?

LIZ DEWAR from Reading

Bristol Hippodrome, Sunday, 25^th March  By Colin and Christine Church, Bristol

Having seen many Hollies concerts over the years, we set off for the Bristol venue with slight trepidation, knowing that Allan Clarke had retired.  Would we be disappointed?  The answer to that would be an emphatic No!

Right from the start, with the new lead singer, Carl Wayne at the helm, it was truly magic.

Yes, The Hollies had not lost that sound.  We found that combining early Hollies and Move hits gave a new dimension to the whole show.

They still provided us with great numbers such as 'He ain't heavy' and 'Long cool woman in a Black Dress'.  It was truly a nostalgic trip down memory lane.

To hear 'Blackberry Way' and 'Flowers in the Rain' done with such professionalism merely added to the enjoyment of the concert.  Definitely one to see again.

Colin & Christine Church,  Bristol

Grand Theatre, Blackpool,   21^st March  By

COAST TO COAST (well Skeggy to Blackpool!)

 I first saw the Hollies live at Skegness last year in November, I enjoyed the show so much that the next day I checked the Robs website to see if they were appearing anywhere near me again, the show that jumped out at me was........The Grand Blackpool, only 200 miles!

The reason I chose this date was I love Blackpool and the thought of a couple of spring days combined with a Hollies show at one of the nicest theatres in the UK, the temptation was to much, so I booked the tickets and waited for 2001.

As I booked so early I managed to get seats near the front (second row) this I began to regret as the other seats began to fill up, I started to feel I was gate crashing a family get together, people discussing where else they had seen "them" that week or even last night, the distances they had driven that day to be here tonight, this is not criticism  but a realisation of the love and devotion the followers of this group show.

As the house lights dimmed and the stage began to come alive with the lighting effects and the wonderfully co-ordinated sound system, as the slowly descending blinds appeared, I thought I was witnessing the opening scenes of a West End musical, very impressive, my humble thanks to the perpetrator of this.  Not being an expert on Hollies songs, in fact I'm still at the "I didn't know that was one of theirs"  stage, never-the-less the string of  60s hits seemed to flow endlessly.......remarkable.  

One of the songs which was completely new to me was "Too young to be married" I guess the words were penned some time ago, but seem as poignant as ever, give or take the married bit!   The choice of other songs also added to atmosphere the "beautiful" version of Dylan's' Blowin' in the wind was one of the best interpretations I've yet to hear, and the Buddy Holly tribute, a great singer and group united, please continue to include this it's worth the journey just to witness this.  

The two Move hits and the ever young Tiger Feet left me with sore hands (from clapping) and sore throat (from trying to sing) but who cares, certainly not those around me , who were suffering the same afflictions!!

Finally to sum up: In this day and age of produced boy and girl bands who probably won't last thirty months never mind thirty years, it is an honour and a privilege to see a group singing live (no tapes etc.) and what's more PLAYING their own instruments!!!  also singing songs they had written, not cover versions of others.

Yes, I may only have seen them twice, but I hope to add many more numbers to this total...I've thirty years of catching up to do!!!!!!!!!!!!

Marie C  (32) SKEGNESS...LINCOLNSHIRE.

Grand Theatre, Blackpool,   21^st March  By Glenn Shepherd, Manchester

It's hard to know where to start in reviewing the fabulous concert at the Grand Theatre in Blackpool. The last time I saw the lads at this theatre was in April 1995 and that night stands out as one of the best concerts I have been to. I remember being blown away by the wonderful acoustics and this time was no exception, especially after attending the concert at the Bridgewater Hall in Manchester on the previous Friday (that place is just not meant for rock concerts!). I discussed this with Ray after the convention in Preston and he agreed entirely. Anyway, I'm rambling!

The evening's proceedings began with the theme from Blade Runner followed by the familiar introduction to I'm Alive. Ian was the first on to the stage followed by the rest of the band a few seconds later. I'm Alive was followed by Here I Go Again and Jennifer Eccles. Tony by this point was fighting off fluff which  had apparently stuck to him from the supplied towels! Of course, Carl picked up on this and made reference to Tony being senile and the many other things he'd talked about over the previous few nights. I've always been impressed by the Hollies' ability to make fun of themselves and I always used to love the banter between Clarke & Hicks. Carl has slotted in really well in this regard, as well as musically - it's as though he's been with the band for years.

Next came Just One Look and On A Carousel. I was pleased that this has been included again and this tour is the first time I have seen it performed in the original style although, I must admit, I prefer the more 'rocky' version. Carl then introduced himself and went on to sing one of my favourite's - Soldier's Song. The power and passion that Carl infuses into this song is just amazing!

Next up was Bus Stop which included Ian coming to the front of the stage playing his accordion. Ian's mum & dad were in the audience (Ian shouted "Thanks for the cakes!") and Tony went on to tell them of Ian's bungee jumping. Next came the first of two Move numbers, Flowers In The Rain. If someone had told me 2 years ago that the Hollies would be playing Flowers In The Rain and Blackberry Way I would never had believed them! Funnily enough, I was a Move fan before I was a Hollies fan!

The hauntingly beautiful Butterfly was next, Alan Coates again displaying his Nash-esque vocal talents! Incidentally, I love the lighting effects for this song, especially at the end. I Can't Let Go came next, followed by one of my all-time favourite concert numbers, The Baby. This song is perfect for Carl and I just hope that they'll do some more stuff from the Rickfors era in the future. The conclusion to the first half was Blowin' In The Wind. Again, Carl stamps this song with his own style and gives it a whole new lease of life.

Stay opened up the second half. In the past I have heard, on a few occasions, people at concerts complain about this arrangement of Stay but I personally think that it's marvellous. Sorry Suzanne came next, followed by Yes I Will, in which Carl sang, "I'll be true to Sue" in reference to his wife. The original version of Look Through Any Window came next. As much as I love the new arrangement that has been included for the past few years it's been really nice to hear it played in the original style.

Carl next introduced Peggy Sue Got Married and explained the work Ian & Ray had put in. Ray's first centre-stage appearance of the night came next as he, along with Alan, Tony & Ian gave us a superb version of Paul McCartney's Blackbird. The acoustic feel was kept for the next song, again, one of my favourites, Tony's marvellous Too Young To Be Married. If I had to choose my favourite Hollies hit it would probably be the next song, We're Through. As usual, Ian took to wandering around the theatre with his accordion & miner's lamp (with Carl introducing him as Arthur Scargill!). Just as Allan used to on this song, Carl 'played' a solo on the keyboards followed by Ian taking centre-stage and singing the last verse of the song. Carrie Anne and Stop Stop Stop came next, complete with banjo solo at the beginning from Tony. Carl next paid his respects to Allan Clarke and went on to sing The Air That I Breathe. The second Move number, Blackberry Way, was next, complete with blackberry-coloured lights!

Ray's second centre-stage appearance was next with the rocking Mud hit, Tiger Feet. Long Cool Woman followed with the usual amazing guitar solo from Tony. The song concluded with the introduction of each band member and a solo from each. When it came to Tony's introduction of Carl, the crowd went wild. There is no doubt that Carl is a fabulous showman and throughout the night he demonstrated his talent of working an audience.

"Did we forget something?" asked Carl. He Ain't Heavy, He's My Brother is, of course, what he was referring to and as usual, I couldn't sit through the song without a lump appearing in my throat.

Before leaving, the lads gave us an amazing rendition of the first bit of It's In Everyone Of Us. This has got to be my favourite concert song yet. I just hope that sometime in the future they will sing the whole thing.

All in all, the whole night was amazing. The atmosphere, acoustics and music was all wonderful. At least Alan only snapped one acoustic guitar string this time (after snapping 3 in Manchester!).

After the concert My friend David & I went to the stage door and met up with the band and also got one of our own songs signed, something which Carl was very interested in!

For those sceptics who have decided not to see the band because Allan is no longer there, I advise you to go and see the show for yourselves. If you go and are disappointed (which I doubt), then fair enough. But if you don't go then you won't know what you're missing!

Glenn Shepherd, Manchester

Grand Theatre, Blackpool,   21^st March  By Helen and Claire Wright

On a wet and wintry Wednesday we made our way through the snow to one of our favourite theatres, The Grand in Blackpool.  On the way there we were trying to work out how many Hollies shows we have seen in this theatre – we reckoned at least eight or nine, but this was the first time Carl had been to Blackpool.  The crowd could not have been disappointed as, yet again, the show was excellent.  From the first song, the audience were dancing in their seats and cheering loudly, even though the auditorium was freezing cold.  (It’s always a good sign if I’m Alive gets a cheer – you are in for a good night!).

The highlights of the night, as every night, are the new/old arrangements of songs like On a Carousel and Look Through Any Window, and we particularly like the 12 string guitar on I Can’t Let Go.  Carl showed off his “vocal gymnastics” on Soldiers Song and Blowin’ in the Wind, and as always, we love Tony’s guitar sitar on The Baby.

Again, Tony excelled himself with the guitar solo on Too Young To Be Married, one of our favourite additions to this second half of the tour.

By the time it came to Tiger Feet the audience were on their feet, this really is a fabulous song to get everyone dancing in the aisles.  The Air That I Breathe and He Ain’t Heavy got a great reception, and the show was finished off with the wonderful arrangement of Every One of Us.

Yet again, a fantastic concert at The Grand in Blackpool.  Every show on this tour just seems to get better and better - the performance, the sound, the lights, the audience.

Only four nights left now until the last show in Bristol – roll on May.

Helen & Claire Wright, Burnley

Preston Guildhall, Convention and Show.    Saturday 17 March  By Alison Evans.

Me and my mum had been waiting ages for this, a chance to meet The Hollies without being freezing (waiting outside stage doors in the depths of winter can’t be healthy) and getting to see them in concert later. Well, this all happened in Preston on Saturday 17^th March.

The convention was great. It started at 2pm and by 2:05 I had already bought umpteen photos, posters, programmes, CD’s…

After eating the delicious ‘cucumber sandwiches’ as Tony so deeply put it, we were waiting for The Hollies. Of course, they were fashionably late but when I heard the cheers I knew someone had come and when I looked up and saw the obligatory baseball cap I knew it had to be Mr Bobby Elliot. I was so happy; you would have thought the whole group had walked in. But wait a minute, they had!

After Bobby had signed my Hollies Sing Dylan album I rushed to the other side of the room to catch a glimpse of the maestro himself, the ever-youthful Tony Hicks. Isn’t he amazing? If only my dad had hair like that. After he had created some artwork for me (I had a dodgy pen!) I waited to see the other guys.

Carl is so popular with the ladies; we had to fight our way in! It must be his beautiful blonde locks and his suave ways, and possibly the fact that he has one of the most amazing voices in the business. We finally got to meet the ever-talking Ray Stiles. It took me about five attempts to get a word in! I also met the death-defying Ian Parker (who else would throw themselves off a bridge and a mountain!?) and the lovely Alan Coates. After endless autographs they had to leave for their soundcheck and, yes, we were invited too. It was great. I never knew Carl wanted to be a priest!

When the guys finally burst on the stage for the ‘proper’ show at 7:30 the concert hall was full and we heard the familiar sound of ‘I’M ALIVE’ and how right they were. The sound was fantastic but come on guys, after all these years you must know how ‘Here I Go Again’ ends!

They were all fabulous on stage, especially Carl, a true showman. He even had to come off stage at one point to try and find evidence of plastic surgery on Tony! How does he do it?

The songs just kept coming, each one absolutely superb: ‘Carrie Ann’, ‘Bus Stop’, ‘I Can’t Let Go’ and my personal favourite ‘Sorry Suzanne’. Tony’s guitar solo on  ‘Too Young To Be Married’ was incredible and Carl’s voice really shone in ‘The Baby’ (my mum’s favourite) but am I the only person who thinks they should also do the fantastic ‘Magic Woman Touch’??

The Buddy Holly song ‘Peggy Sue Got Married’ was also superbly arranged by Ray and Ian (loved those red lips guys, very attractive!). Tony overwhelmed us with his banjo skills in ‘Stop, Stop, Stop and Alan’s ‘Butterfly’ was gorgeous, what a stunning voice!

‘Blackberry Way’ was very popular with the audience, as were the classics ‘He Ain’t Heavy, He’s My Brother’ and ‘ The Air That I Breathe’. Carl dynamically performed ‘Long Cool Woman’, as usual, and that, along with Ray’s ‘Tiger Feet’ got the audience dancing around as if they were 15 years old. But wait a minute, I am 15 years old! Yes, even at this tender age I can appreciate good music (I was not brainwashed by my mother, I took her to the concert!) and, even though I never got to see them perform with Allan Clarke, I am very pleased that Carl has been the ‘chosen one’ to take over singing those incredible songs.

 What a voice!
                       What a band!!
                                               What a day!!!

Alison Evans, Liverpool

Review of the Hollies’ Concert at The Guild Hall, Preston    Saturday, 17^th March 2001

It was a chilly night in Preston but the Guild Hall was very full and the atmosphere was building as we waited for The Hollies to appear on stage – when they did, they were given a tremendous reception!  I think that a lot of people were wondering how they would sound since Allan Clarke left.  No-one needed to have worried, Carl fitted in extremely well and The Hollies’ performance was fantastic!

Carl was very friendly and has a great voice and stage presence – he won the audience over very quickly, in fact, all the members of the group were determined that everyone should enjoy themselves and the audience certainly did as hit followed hit and not just Hollies’ songs: ‘Flowers in the Rain’, ‘Blackberry Way’, a Buddy Holly song and Bob Dylan’s ‘Blowin’ in the Wind’ were played.  I particularly enjoyed hearing ‘The Baby’  - I’ve not heard this song for a while.

We had really good seats at the front to the right and found the show brilliant, not only in musical terms but also the fabulous light show – at the interval my husband and I moved to what must have been the only free seats in the Guild Hall just to the right hand side for an even better view (I’m only small!).  After the interval the audience got really warmed up, clapping and singing along – everyone knew the words.  All the members of the group are great musicians but Bobby’s drumming and Tony’s guitar playing were exceptional (surely Tony must be classed amongst the guitar ‘greats’ like Mark Knopfler and Eric Clapton?!!)

After more than two hours, which only seemed like minutes, the group was ready to leave the stage but then said ‘You know we’re not really going don’t you?’  A long encore followed, including, of course, ‘He Ain’t Heavy’ and a lovely version of ‘It’s In Everyone of Us’’ with no backing.

Then the show was really over and I am sure that The Hollies enjoyed themselves as much as we, the audience did!  Let’s hope that it’s not too long before they visit the Guild Hall again and Tony, if you should read this and ever want to share the secret of eternal youth with anyone …. please email me first!!

Thanks to you all for a lovely and unforgettable night in Preston on the 17^th March!

Anne Bingham,  Cherry Tree, near Blackburn.

Nottingham Royal Centre,  Tuesday 13 March 2001   By Simon Tordoff

The Hollies turned in another polished performance upon their return to the Royal Concert Hall in Nottingham on Tuesday night.  The audience gave the band a warm reception in what is an impressive arena, and seemed to instantly warm to the ‘new boy’ Carl Wayne, helped no doubt by his reminiscences of his previous visits to Nottingham with Rod Hull and Emu which raised more than a laugh or two in the process.  The band were in buoyant mood and seemed particularly relaxed which was plain for all to see.

The customary opening flurry of hits (‘I’m Alive’, ‘Here I Go Again’ and ‘Jennifer Eccles’) were followed by less well known hits such as ‘Soldier’s Song’ and later Chip Taylor’s ‘The Baby’, both of which still received generous applause from this appreciative crowd.  The opening half ended on a high with a rousing version of Bob Dylan’s classic ‘Blowing In The Wind’, leaving the audience filled with eager anticipation of what was to come after the intermission.

And they would not be disappointed with a masterful display in the second half containing hit after hit, interspersed with the occasional gem such as ‘Peggy Sue Got Married’ (featuring the voice of the late Buddy Holly), Paul McCartney’s ‘Blackbird’ and the beautifully arranged ‘Too Young To Be Married’ which, for me, is definitely one of the highlights of this Spring tour.  I attended this show with a friend who, having seen The Hollies a few times, had not seen them perform this song before, and was really impressed to say the least.

As the evening built to a climax, the final bunch of hits ended with ‘The Air That I Breathe’, respectfully dedicated by Carl to his predecessor, Allan Clarke, noting his considerable contribution to The Hollies and to the music industry in general.  But the crowd were not about to let the band leave the stage so soon, at least not without performing their trademark ‘He Ain’t Heavy’, in between which ‘Blackberry Way’, ‘Tiger Feet’ and ‘Long Cool Woman’ were rolled out, bringing the crowd to their feet.

A poignant closing touch of this latest tour is the beautiful four part harmonies from Carl, Tony, Alan and Ray in the shortened acappella version of ‘It’s In Every One Of Us’ which leaves everyone temporarily spellbound.

This was the perfect end to a perfect evening, with yet another perfect performance from The Hollies.

Simon Tordoff

Nottingham  Royal Concert Hall,  Tuesday 13 March   By Ann Smith

Wow  -  what a night, I can honestly say that  I saw the best performance ever by The Hollies last night.

 Carl Wayne has such a powerful voice.

 The opening was fantastic with dark blue lights  criss-crossing the stage as the boys appeared to thunderous applause.

All the hits were there and it was very funny when in the second song,  Carl had a bit of trouble with the mike, the head fell off!!!!

The most powerful song of the night was  Soldier's Song with a  blood red background.  Carl belted out the song with such power I could feel the hair on the back of my neck rising.

Alan Coates had two lovely songs,  On A Carousel and Butterfly with the latter bathed in blue and white light.  Brilliant.

Carrie Anne,  Bus Stop, Just One Look, Stop  Stop Stop - the songs kept coming - Peggy Sue Got Married with Buddy Holly taking centre stage backed by The Hollies…..Spooky.

Too Young To Be Married really showed Tony at his best with a lovely guitar solo.

Ian did his walk about  amongst the audience with Carl taking over on keyboards till he got back.

When they did Yes I Will,  Carl sang "I'll be true to Sue"  for his wife, Susan.

We were also treated to two numbers from Carl's "MOVE" days - Blackberry Way and Flowers In The Rain and Ray Stiles thoroughly  entertained us with a cracking rendition of  Tiger Feet from his days with MUD which had the people on their feet clapping and dancing in the aisles.

The high note for me came after Carl made a  dedication to Allan Clarke with The Air That I Breathe, which got  a standing ovation.

Carl asked if we wanted more and of course we did.

Long Cool Woman In A Black Dress followed but we still wanted more and got it in the shape of He Aint Heavy, He's My Brother.

Instead of the customary high note to finish on,  Carl, Ray,  Tony. and Alan all came together for a lovely short rendition of the song,  It's In Every One Of Us.

We weren't going to let them go but we had to of course.

My only regret is that me and my friend didn't get to see Tony at the stage door, we so wanted to meet him.

Thank you very much. Carl – Alan – Ray – Bobby - Ian and Tony for a lovely time at Nottingham.  The concert will live in my memory for a long, long time.

Rob asked me to write this review of the show.  It is the first time that I have done anything like it and I feel very proud to do it.  I hope that I have done him and The Hollies proud too.

Ann Smith, Nottingham.

Oxford Apollo,  Friday 9th March  By Tasha Pickworth

On the 9th of March I  went to see  'the Hollies' at the Oxford Apollo, it was the best show I've ever seen. Bobby Elliott's drumming is quick and exiting and Tony Hicks has got to be the best  guitarist! (along with Alan and Ray.)

Carl (new member of the group) did great ! 

Ian was good at the Keyboard as well.

I highly recommend you go and see 'The Hollies' you will really enjoy it!   The Hollies are a great group!

Review done by Tasha Pickworth (age 11)

Margate Winter Gardens, Thursday, 22 February  By Nicola Dowling, Ashford.

HOLLIES HIT MARGATE 

Now picture this, a cold February evening in Margate - doesn't exactly excite you does it.  But if I said cold February evening in Margate with The Hollies, now that's better. 

At least that's what I thought as my mum and I joined the rest of the audience at the Winter Gardens on the 22nd. 

The guys burst onto stage to a huge round of applause and quickly got down to work, it seemed as if you were watching a totally different group to the one previously there 14 months ago.  Not just a different lead singer was obvious,  but all the guys seemed full of enthusiasm and bursting with energy and smiles and all this after considering that they had not long returned from a gruelling tour of New Zealand and Australia. 

If there are any doubts about the new guy Carl Wayne with the Margate audience they were quickly dismissed as soon as he began to sing all the hits which came thick and fast. 

Carl seemed to be very at ease and the audience warmed to him very quickly especially when he asked the audience to join in on one of hits 'Blackberry Way'.  I think the audience shocked themselves and the guys in the group at how tuneful they were or not as the case maybe! 

Alan Coates stunned the audience with a beautiful rendition of 'Butterfly', a personal favourite of my mum's.  We were also treated to a favourite of mine, 'Too Young to be married', which featured a fantastic guitar solo by Tony Hicks, a guitar genius if ever there was one.

Ray Stiles joined Alan and Tony centre stage to perform a fantastic version of 'Blackbird'.  Ian Parker didn't miss out on the limelight either,  his turn came when the guys sang 'We're Through', after his well known and well loved accordion walk about in the audience with his trademark Arthur Scargill minor's lamp strapped to his head as commented on by Carl several times.  He rejoined the guys back on stage and took centre mic to finish the song (a bit more of that Ian, nice voice!). 

The time was going way too fast but the songs just kept on coming.

 Carl's fantastic voice shone through on such songs as 'The Baby' with a great Sitar  accompaniment by Tony and the 'Soldier' song. 

The show drew to a close on a high with the crowd up and out of their seats and dancing to Rays 'Tiger Feet'.  Then came the all time classic 'He Ain't heavy He's my brother', BRILLIANT!! 

The very last song of the night was a real treat,  one which demonstrated and proved what a great vocal talent The Hollies have, as if it needed to be proved!  They sang a beautiful version of 'Its In Every One Of Us'.

This seemed to sum the whole evening up simply by saying that its in everyone of us that deep down we are all Hollies fans and after a performance like that,  who wouldn't be?

Lets hope there's much more of this to come!

Nicola Dowling,  Ashford, Kent.   AGE 23

Northampton Derngate, Saturday, 17 February  By Pat Easton

My friend & I saw the Hollies perform on Saturday, February 17th at The Derngate Theatre Northampton. The theatre was packed with dedicated Hollies fans and the atmosphere was electric from start to finish!

The hit songs and amazing harmonies brought back so many memories, a real blast from the past.

"The air that I breathe" & "He ain't heavy"  brought the house down.

We could have listened to them all night.

They received a standing ovation, no-one wanting the entertainment to end. 

We also saw The Hollies at Milton Keynes last year and will definitely book to see them again.

The whole group is so talented and provide a show that is definitely not to be missed!

Pat Easton

Northampton Derngate, Saturday, 17 February  By Mark Oakey.

1963 saw the first top 10 hit for The Hollies with "Stay". I was 3 years old, not quite old enough to be a fan. I bought my first Hollies single aged 10 - "Mad Professor Blyth" (actually the B side of "I Can't Tell The Bottom From The Top"). I had heard it played on Ed Stewart's "Junior Choice" and it had made me laugh. Listening to it again the other day I still find it quirky.

I met Allan Clarke in my local in 1978; he lived in the next village to mine, still does in fact. The Hollies music still hadn't made a great impression on this 18 year old which is perhaps why I found it easy to talk to him as I wasn't awestruck. After all he couldn't be famous as everybody else talked to him like an old mate. That's probably why he liked it as his local.

First saw the band live at the Albert Hall in 1989. I just couldn't believe all those songs that I knew so well, and had been singing along to since my teens, were sung by The Hollies.

So yes an impression had been made, I just didn't know it. I was hooked! 

I do not have a musical background, but I know what I like and what, to me, sounds good, and the guitar work of Tony Hicks was phenomenal.  

I have tried to make every concert in my home town, Northampton, and I was there last Saturday, 17th Feb. This wasn't the first time that I had seen the "new boy", Carl Wayne, having attended the concert at Milton Keynes last November. As the first 2 or 3 numbers played I was listening for Allan Clarke, but then came "Soldiers Song" - sung with such power and passion - the voice of Carl Wayne. I hadn't imagined it the first time: HIS voice singing that song DID touch me emotionally somewhere deep inside. From that moment on there was no more looking back but on with the hits and more, much much more....

Many groups suffer from the prominence given to the lead singer.  Some feel that they are bigger than the band, go solo and then disappear; other groups break up through jealousy and envy because the singer gets all the limelight.  Why did The Hollies carry on when Allan retired? 

The Hollies are much bigger than any single member and also because of every single member in the band.

Allan acknowledged this and Carl appreciates it too.  

The Hollies are not another retro-60s band, many of whom are making a welcome return. The boys have never been away!  With every show we hear new arrangements of old favourites, songs we haven't heard live like "The Baby", rediscovered by Carl;  Alan Coates taking centre-stage for a beautiful rendition of "Butterfly"; the voice of the legendary Buddy Holly, accompanied by The Hollies, singing "Peggy Sue Got Married" (thanks to the technical wizardry of Ray and Ian), made all the more moving and poignant by the spotlight shining on an empty microphone.

During the interval I asked a friend sitting next to me, who has been a drummer in local bands, what he thought of Bobby Elliot. "Wow!" he replied. Perhaps not the most literary critique but it says everything about the man, doesn't it?

 And "Wow!!" from me to Tony too, the "Dorian Gray" of the music world, still phenomenal!!!  

Why should The Hollies carry on?  Sitting in the audience at the Derngate Theatre, as on all previous occasions, filled to capacity, the question fades into the night.  I asked my wife what she thought of the show - "Brilliant, they really looked as if they were enjoying themselves." That is the secret of The Hollies success and popularity.

Carl spoke of the desire to still be on the road in 20 years time, and why not?  Will we still be there to support them?

YOU BET WE WILL!!!!!!!!!!  

Mark Oakey

Royal Leamington Spa, Saturday 27 January 2001   By Kerry Bartlett

On arriving at the Royal Spa Theatre in Leamington Spa and seeing many familiar faces (whom I knew had attended the first showing this year at Hayes), it was obvious to me that this was going to be another fantastic performance as usual by The Hollies.  As soon as they kicked off with ‘I’m Alive’, the audience already seemed to be in full swing.

Although this has been the first tour of 2000/01 without Allan Clarke, the fans didn’t appear to be disappointed by Carl Wayne’s presence.  Admittedly this is the first Hollies tour I have attended and did not have the privilege of seeing the original front man Allan Clarke, but however I personally could not deny that Carl was also a front man in his own right (what with being a singer in ‘The Move’ in the 60’s and his participation in the theatre production ‘Blood Brothers’).  Along with the two original Hollies members, Tony Hicks and Bobby Elliott and other Hollies members Alan Coates (Bucks Fizz/Broken English) Ray Stiles (Mud) and the fantastic Ian Parker (Tom Robinson Band/Clannad) on keyboards this was one of the best shows I have seen on this tour.  They just seem to get better every time.

Blasting out many of their original hits such as Bus Stop, Jennifer Eccles, Just one Look and The Air That I Breathe the audience was in full rapture clapping and singing along and also joined in with two ‘Move’ numbers (Flowers in the Rain and Blackberry Way).  They also added the superb ‘Too Young to be Married’ which had been a hit in Australia and one of my favourite tracks ‘The Baby’ which had been recorded with Mikael Rickfors (from Sweden) in the early 70’s.

There was also some humour, especially when an Asian gentleman went up to the stage a few times to shake hands with Carl and Tony.  He even got them to sign his passport, thanks to the joke made by Carl about Peter Mandelson!  I must mention Mark Holley for conducting the audience throughout ‘Blackberry Way’ but as for singing a small section of ‘Long Cool Woman…’ please don’t give up the day job Mark!

Members of the audience got up and danced for ‘Tiger Feet’ and ‘Long Cool Woman…’ before The Hollies finished off with the unforgettable ‘He ain’t Heavy.......

It was also a surprise and delight when Carl, Tony, Alan and Ray added their own harmonies to ‘It’s In Every One of Us’ off the ‘5317704’ album to end the set. 

With a standing ovation, The Hollies had yet again bowled over another audience.

Cheltenham Town Hall  Friday 26th January 2001  By Alexandra Brown

I very nearly didn't make it to this concert as it looked like I would be on an 'A' Level Geography field trip. By the time I found out the trip was the week following the concert, the local Classic Gold Station had a pair of tickets up for grabs. All you had to do to win them was answer a question set by Carl Wayne ? What is his wife's name? (Mrs Wayne was not good enough). I'd no idea but my Mum knew she played Miss Diane in Crossroads and had a feeling she was Sue someone. It was my Nan who remembered her last name. The answer was sent off and on the Wednesday before the concert we found out our entry had been pulled out of the 'hat'. I couldn't wait until Friday as I wanted to find out how The Hollies sounded without Allan Clarke.

The concert was fantastic with The Hollies in fine voice and humour. What a relief it didn't clash with the field trip.

The change in lead singer was of very little concern, as the vocals only seemed 'unfamiliar' on the first number, by the second I'd adjusted to the different voice and vocal style of Carl Wayne.

The Hollies were unafraid to admit where they 'nicked the new boy' from (The Move), and hearing The Hollies versions of 'Flowers In The Rain' and 'Blackberry Way' was great, two acts in one!

During the concert the band played a favourite song of mine which I so rarely hear ? 'The Baby'. One definite benefit of Carl Wayne being in the band is I think that the live version is better than the recorded one!

It was great to once again hear Alan Coates version of another of my favourites ? 'Butterfly' it was also good to hear 'Soldier Song' alongside the better known Hollies classics. During the encore Ray Stiles version of 'Tiger Feet' really had the audience up on its feet. There seemed such naturalness about the band and its sound, it seemed as if Carl Wayne had been with the band for longer than he has.

From the start The Hollies seemed able to laugh at themselves and their past ? The Hollies Sing George Formby ? (I'd love to hear Formby's version of 'Stop! Stop! Stop!'). The on stage banter even extended to the audience as Tony investigated the nature of the pillars in the Town Hall (by the way, if they're MDF then I'm surprised they've survived Hollies fans stamping for more). A more difficult question was an enquiry in to where Cheltenham was in relation to the Cotswolds (as a Gloucester girl I'd say the simple answer to that is the Cotswolds end where the sheep do).

The lighting director really should have taken a bow at the end as the stunning lighting added to the beauty of the songs they accompanied. Also so should the sound guy who they said was only on his second night but from the quality of the sound you wouldn't have thought it.

This was the third time that I've seen The Hollies and it was the best concert yet.

Alexandra Brown

Cheltenham Town Hall, Friday 26 January 2001        Courtesy  Gloucestershire Echo; Tuesday; January 30, 2001

Hollies carry on rocking

Review:  The Hollies, Cheltenham Town Hall By Derek Briggs

The Town Hall may not be huge but it was impressive to see The Hollies filling it 40 years after Graham Nash and Allan Clarke began the band.

Nash and Clarke have left but their core buddy, lead guitarist Tony Hicks, was much in evidence with cheeky humour and Beatles haircut.

Whilst drummer Bobby Elliott is almost an original,  bass guitarist Ray Stiles, keyboardist Ian Parker and guitarist Alan Coates have all done long service.

All eyes were on Carl Wayne, a recent replacement for Clarke, and the erstwhile singer with The Move.

How well would he fill Clarke's shoes?  The verdict of the audience was, very well indeed.  An extremely confident performer he belted out hit after hit to a dazzling light show,

Among them were the much applauded I'm Alive,  Jennifer Eccles,  Just One Look,  Bus Stop and Stay:

Perhaps it was only in my mind that they lacked the subtle group harmonies that made the originals memorable.

Wayne did not completely take centre stage.  Coates got into the feeling of On a Carrousel,  Hicks' Carrie Anne was a delight, Stiles impressed, album songs were featured and even a recording of Buddy Holly got into the act.

He Ain't Heavy featured in a long encore,  long because Wayne kept asking: "Do you want any more?"  

Quite a, night for nostalgia.

Derek Briggs