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Manchester Opera House. Friday 14th November By Gordon Jamieson

As many of you who have seen my posts over the last few Months will know, I have been very critical of the band re-lack of new material set list changes etc. While I still feel justified in what I have said, the above date certainly renewed my enthusiasm for The Hollies. I booked only one show on the current tour and quite frankly felt it not much more than a duty.

However as the day approached I started to become quite excited about seeing the band again, and even though it was going to be the hits again, we’ve got to face it, THEY’RE THE BEST HITS THAT EVER THERE WERE! And the growing army of new fans especially the young ones love every minute of it and it’s great to see The Hollies still stirring up the emotions of so many people.

The day finally came and for a change it didn’t require a 5AM rise, as my train was not until 9.20. I arrived at Manchester around quarter to two and made my way to the hotel where I was staying with my two old Hollies friends Mervyn White and Mark Holley. We spent most of the remainder of the afternoon discussing the new-boxed set and listening to the music of the Cosmic Rough Riders, which Mervyn says are his ‘new Hollies’. It was not long before it was time for the ‘preliminaries’ and out we went to find a place for a meal and a few beers. It didn’t take us long and as we ate and drank we continued to discuss the merits of The Hollies past and present.

We arrived at the theatre with minutes to spare and had another quick drink and ordered our half time drinks. I got into the auditorium with just a minute or so to say a quick hello to all my old and new friends in the front row. (I was sitting further back on this occasion) I had just finished saying my quick hellos when the house lights dimmed and it was Showtime. I quickly made my way back to my seat and settled to watch the show. 

Before we go any further though, lets get on with the set list.

Well the show got underway and I must admit I felt the intro was not just as rousing as it has been in previous years but the guys were soon of stage getting tore in to Long Cool Woman with Carls voice sounding excellent and Bob’s wild drumming up to the usual standard and what needs to be said about our two expert guitarists and bass player. So the show was off to a booming start as usual. After that straight into Here I go again, one of the earlier hits that had the crowd clapping along enthusiastically then straight into Jennifer Eccles, which again received rapturous applause. 

Carl welcomed everyone to the show in his usual comical manner and then announced the next number, his personal favourite ‘Yes I Will’. A disappointment for me is that the guys no longer do the nineties version of ‘Look Trough Any Window’ which was a very interesting arrangement and featured some breathtaking guitar work from Tony and Alan. After Sandy, Bob, Ian and Carl left the stage and Ray came forward to join Alan and Tony for the acoustic section of the first half. The version they do of ‘Listen To Me’ is for me the finest version since the original. The harmonies are beautiful and the guitar work interesting. Next Allan was left on his own for Butterfly accompanied by Ian Parker’s very impressive classical keyboard playing.

After I’m Alive and Fire Brigade (my favourite Move song) we were treated to more entertainment from The West of Scotland’s very own Mr Ian Parker as he donned his miner’s helmet and accordion to do his usual tour around the audience during We’re Through. Not forgetting his very impressive keyboard solo. Alan did lead vocal as usual on ‘Carousel’ and the first half finished with The Hollies unique version of Bob Dylan’s ‘Blowin In The Wind’. I think this must be the finest arrangement of one of Bob’s best songs.

Well that was the first half over so it was off to the bar where Mervyn had already found our interval drinks and while we were enjoying our beers Mervyn helped me to decipher the scrawl of the set list I had made on the back of a ticket and place it on a more appropriate piece of paper which I was able to use for the second half list as well. After a much needed visit to the cludgie, we were back in the auditorium just in time for the fanfare (Herb Alpert’s 1980), which starts the second half of the show.

The band reappeared and went strait into How Do I Survive (I think I’m one of the few who really likes this song) after this it was back to the ever popular hits for two songs and then one of the not so big hits but a song well worth hearing and one I’m surprised The Hollies have neglected over the years, The Baby in which Tony features on his electric sitar. Next Carl paid tribute to our soldiers, sailors and airmen who are involved in conflict at the moment through no fault of their own and dedicated ‘Soldier’s Song’ to them. Most of the audience applauded Carl for his tribute to our servicemen. When I joined in, I got a dirty look from the female sitting next to me (she must have been a conchie) Carl delivered the song with all the feeling and emotion as always has done and the crowd loved it.

It was now time for the second acoustic spot with Ray coming to the front again. Gasoline Alley Bred lends itself very well to an acoustic rendering. ‘Too Young to be Married’ followed with Tony on lead vocals and his skilful guitar solo sounding very impressive. The rest of the band rejoined and it was back to the well known hits including the Move’s Blackberry way. The Air that I Breathe formally ended the show before the lads jumped into their rousing encore of ‘I Can Hear The Grass Grow’ that had the audience on their feet and kept there by ‘Tiger Feet’ (no pun intended)

Things quietened down again and Carl thanked the audience for their attendance and appreciation and then it was strait into ‘He Ain’t Heavy’ which the audience loved as always. A single verse of the very moving ‘It’s In Every One Of Us’ closed the show and the band left the stage to rapturous applause.

So in spite of all my moaning over the past few Months I, like most of the audience left the theatre a very contented man. Met up with Mervyn again and it was off to the tavern to discuss the show and naturally have a few more beers. All in all it was a night to remember and as a result I’ve added Leeds to my list of shows for next year. I had intended only doing the Scottish ones and Carlisle, but after that…….what else could I do.

By Gordon Jamieson, Scotland

Southport Theatre, November 9th 2003 by Peej

It was with even more anticipation than the previous night that Spev and I arrived in Southport. At one point we were seriously considering the fact that we wouldn’t get there at all because the trains were all broken and delayed. However I immediately knew the night was going to be a success because I did my best reverse parallel park on a straight road and that brought back my fading energy!

We arrived at Southport Theatre and were able to catch strains of the sound check before Spev showed me the stage door. Would you believe Tony stuck his head out of a door? I could hardly. Spev asked him out for a drink which he declined and he asked if it was raining and then we left.

We sat in our seats, eagerly awaiting the concert and met a friend- Madeline- who I’d heard of but never met and she was lovely, we discussed the guys before and during the gig. The guys came on stage to huge applause and launched into Long Cool Woman. Spev danced along doing perfect air drumming and I moved from side to side in my usual manner (I can’t dance but move enthusiastically). Alan Coates was definitely enjoying Spev’s dancing/ air drumming. The songs were much better this night- which I feel was due to the sound being balanced better than at Sunderland. Alan’s slide guitar solo in Jennifer Eccles is great, I really like the slide guitar sound. The guys sang their wonderful hits including (one of my favourites) Look Through Any Window and one of Carl’s favourites; I’ll Be True to You. I like the their set list- they begin the gigs with their ‘hit’ songs and then start to introduce their lesser well known songs.

Bobby, Carl and Ian left the stage and I knew it was time for Ray to come forward for Listen To Me. I love Listen To Me it’s a wonderful song and I enjoy the guys’ arrangement- I love acappella harmony singing, I certainly never tire of hearing that beautiful sound. The first half seemed to go so quickly and soon we were into Blowin’ In The Wind written by the ever-local Bob Dylan- I forgot what Carl said now. Carl's voice was amazing all night but I love hearing him sing this! Another song I love Carl’s singing in is Sandy which they performed during the first half. He really puts feeling into the lyrics- you can’t help but be wowed by him.

Then, all too soon it was the interval, I was eagerly anticipating the next half. I always hate it when you’re waiting for something that’s going to be great and time drags on, then when you’re busy enjoying this great thing, time just whizzes past- it’s very unfair. We were very soon back for the second half. Oh that was definitely better than Sunderland.

After starting the second half with their new record; How Do I Survive, the guys were soon playing The Baby. Tony’s sitar solo was very different (although popular in Bradford) and not the same as the night before- very enjoyable. I love Carl singing this song as well. And then we launched into one of the most moving songs that Carl sings (apart from Sandy); Soldier’s Song. The lighting programme which accompanies the show is truly amazing but this new version really excels itself and I loved the intense red wash that covered band and added so much depth to the song. This was enhanced by Carl’s wonderful voice as he sang this song; aptly fitting as it was remembrance day, his meaningful vocals and Bobby’s drumming sent shivers down my spine. Even Tony’s guitar solo- which is so right for the song couldn’t make me feel anything other than respectful and sad. I found myself thinking- ‘I know they have loads of hits like Carrie Anne etc. but how can they follow that without ruining the atmosphere and feeling after the song?’ Even poor Tony said, after the audience quietened, “Follow that? We’ll try.” And they followed with Gasoline Alley Bred- another favourite- before Tony launched into the ever wonderful Too Young To Be Married where I start moaning; why oh why can’t he borrow Alan’s Laravee (I reckon) Classical guitar and play the wonderful solo on that, the guitar he uses doesn’t sound right to me. But he played the solo and I soon forgot my grumble.

When Carl, Bob and Ian returned to the stage they launched into the Move hits and the rest of the Hollies hits including Blackberry Way, during which Carl came to our side of the stage with his microphone stand and everyone in the front two rows sat back in their seats as Carl offered the gentleman in front of me the chance to sing. The poor guy refused to oblige and Carl said he had to dance during Carrie-Anne which followed. Obviously this poor guy didn’t but Carl certainly surprised us with a few moves to try and show the guy what to dance. Then they started to wrap up the show with the wonderful Air That I Breathe- I love that guitar intro. Tony! Carl announced it as the last song but everyone was shouting for more and the guys obliged with Move and Hollies songs including I Can Hear The Grass Grow, Fire Brigade and Bus Stop.

Carl left the stage but not before inviting the audience to dance to Tiger Feet and we jumped up so I made the effort to sway side to side as I clapped. Again another wonderful non- Hollies song that the guys make their own through the Hollies style. I agree with Carl when he mentioned at the beginning that it’s the quality of the songs not just the musicians that keep the band so popular today. Alan and Ray certainly enjoyed themselves during Tiger Feet as they waved their guitars in time to the music. Carl returned centre stage and started the ever poignant He Ain’t Heavy, He’s My Brother. Although this song is the one Hollies song that everyone knows no matter what. I may tire of the cd recording being played on radio non stop when the guys had so many other hits but I can’t tire of the live version.

The guys concluded with a beautiful It’s In Every One Of Us, bowed and left. The audience were ecstatic and probably would have stayed for more if the guys would have. I don’t feel I have given any of the guys enough credit for the wonderful jobs they do during and after the gigs; their friendliness towards fans is always well received. I certainly feel like I haven’t mentioned Alan, Ian, Ray or Bobby’s contributions to the concert as much as I would like but they truly keep you entertained; Alan’s beautiful version of Butterfly, Ian’s piano-accordion work in the audience and the ever wonderful and definitely most under-appreciated drummer ever; Bobby. He’s a very cool guy.

Roll on Manchester... or is that Rock On?

By Peej

Southport Theatre, November 9th 2003 by Tina Ballard

My last show of the year. [what a long winter its going to be]. But what an end I've had.  Sand Sea and THE HOLLIES. What more could us fans want. Oh yes more HOLLIES concerts. 

There was a great crowd at Southport on Sunday night, with many familiar faces.  It started well I saw Ian before the show with his parents who had come down from Scotland to see the show.

From the start of the show Carl had the audience eating out of his hands.  He was on great form, when some people came in late, Carl asked them for a late note. It was the usual great list of songs that we all love to hear. Especially Soldier Song and Sandy. Well done CARL.

The usual joking, mainly towards Ray by Tony and Alan about his new Armarni shirt which cost £180.00, it was full of holes which Alan said were for ventilation.  Poor Ray had got a cold. The biggest surprise was when Tony introduced Ray by saying that he was in MUD and sang Tiger Feet and Lonely this xmas. Ray promptly stopped him by saying the last time he was in Southport with them he'd been arrested. What for he didn't say, but just how many times has Mr Stiles been arrested. I know of another time, in 1970s he tied himself to the railings of the houses of Parliment. Come on Raymond own up. Oh they did make a mistake, well when I said they I mean TONY - He sang or he didn't sing a word in Yes I Will, but we forgive him don't we its been a long year.

Well that's it. See you all next year. Have a nice Christmas with plenty of HOLLIES. 

TINA BALLARD, STOKE-ON-TRENT 

Southport Theatre – 9 November 2003 by Spev Lane

I was always looking forward to Southport more than Sunderland simply because I grew up in Southport so this was basically a Hollies gig on home territory for me. By the time Sunday came, and especially due to the events of the Sunderland gig on the Saturday night, I was more excited than ever. I’ve seen a few gigs at Southport Theatre, so I knew the venue was ideal – just opposite a pub.

After the opening three songs, Long Cool Woman, Here I Go Again and Jennifer Eccles, Carl went through his opening comments. The audience seemed very receptive and even laughed at his jokes – an immense achievement in itself!

 Sandy, as always, was performed beautifully, after which Carl, Bobby and Ian left the stage so that Alan, Ray and Tony could perform Listen to Me. The thing that really impresses me most about the acoustic performances in the gigs is the fact that, due to Alan’s absolutely textbook perfect rhythm guitar playing, I barely miss the rhythm section of the songs. After Listen To Me, Tony left Allan to take centre stage whilst he performed Butterfly. 

Tony’s sitar solo just before they played The Baby was beautifully hypnotic – not even Carl’s Bradford jokes could put him off! Nothing, of course, is more enjoyable to the Hollies Gig Regulars than the Obligatory Tony Hicks Rambling Session – and just before Stop Stop Stop, he didn’t fail to disappoint. After what seemed like an eternity of getting the history of Popular Music in 1940s North West England, and after Carl deciding to quit The Hollies to join the Beverly Sisters – and Tony agreeing that he’d look great in the outfits – Mr Hicks decided to wake us all up by launching into the intro. Another wonderful performance, and I was starting to wonder if they weren’t just secretly miming all along. I realised that they actually weren’t, they just have a very unfair advantage over many other live bands. Talent.

Once again, I couldn’t possibly attempt any review of a Hollies concert without speaking in the most glowing terms of undoubtedly the most naturally talented drummer on tour today – Bobby Elliott. Every time the band perform Soldier’s Song, I always get shivers up my spine and there was something about Bobby’s drumming that always left me gasping for breath – and it wasn’t until Southport that I realised what it was. He plays the most incredible floor tom rolls in such a way that it simulates the sound and effect of the timpani rolls he played on the original recording. That, tempered with the sensitivity of the cymbal flourishes made it all the more perfect.

The ‘final’ song of the set was the beautiful Air That I Breathe – another of the Hollies canon that sounds so much more exquisite when it’s performed live. The band attempted to leave the stage – which was admittedly more than they’d done at Sunderland – but the audience seemed to persuade them to play a few more songs easily enough. They obliged with the brilliant Move number; I Can Hear the Grass Grow.

 Then we were treated to what I always deem to be the most incredible of sights. The Band’s Dancing ‘Skills’. Yes, that’s right – for the second encore song, they played Tiger Feet. Each member of The Hollies has his own very interesting style of dancing – Carl just goes off on his own somewhere, while Ian and Bobby are obviously slightly hindered by the fact that their keyboards and drums are pretty stationary instruments. Ray wiggles his shoulders excessively, Alan does a lot of hip gyrating, and Tony just bobs his head up and down and bends his knees more than usual. After all that excitement I was quite grateful for a rest when they sang He Ain’t Heavy – much to the amusement of a certain band member.

All too soon they left the stage, and after rushing to the stage door to wave them off, we were all left counting down the seconds to the Manchester gig… Roll on Friday!

Spev Lane

Saturday, November 8th; Sunderland by Peej

Long time, no hear and I couldn’t wait to see the guys perform live again so much so that I didn’t want my parents to miss the gig either so I set about planning a way to get them there- I naturally succeeded in my plan, but would they enjoy the concert?

The answer to that question is yes. There was an excited atmosphere as the audience filed into the auditorium and everyone went silent as the lights dimmed and the introduction music as played. As soon as people saw the band entering the stage, they cheered and the guys launched into their fantastic opening song; Long Cool Woman. With the crowd clapping and cheering, the guys moved onto their other songs like Just One Look, Jennifer Eccles (love Alan’s slide guitar solo) and Look Through Any Window. All performed as brilliantly as I remembered, accompanied by a fantastic new lighting show!

Soon, Carl, Bobby and Ian had left the stage and Alan, Ray and Tony sang Listen to Me with the gorgeous a cappella introduction- simply fantastic. Tony then left the stage to be replaced by Ian as Alan performed Butterfly. This was not quite as good as I had remembered because the music was too loud and occasionally drowned out Alan’s singing. After that, Carl, Bobby and Tony rejoined the stage for songs like Sandy- a lovely take on the Bruce Springsteen classic and before we knew it, Carl was announcing the ever-local Bob Dylan’s song; Blowin’ In The Wind. Bobby’s drum solo during this is fantastic, he really is one of the best live drummers ever! Then, sadly, came the interval.

The next half started with the boys’ latest recording; How Do I Survive which I think is much better live. Then they started introducing the European hits like; The Baby with Tony on his electric sitar. He is truly fantastic on it and his solo before the song, if a little too loud, was amazing. Then Carl announced Soldier’s Song. The lighting, Carl’s vocals and Bob’s drumming all contributed to a fantastic performance of the song. How could Tony, Ray and Alan follow that? Well, with Gasoline Alley Bred and Too Young To Be Married. As usual Tony’s solo just blew me away- he’s amazing on guitar. Then Carl, Bobby and Ian were back to finish the hits with songs like Bus Stop and the Move song; Blackberry Way (which Carl dedicated to my mum and dad- my mum caught it!). During which the audience were invited to sing and sing they did. Although it’s difficult to sing when Tony’s looking at you and giving you a cheesey grin and waving his head from side to side- just because we’d been doing that when he’d been singing, honestly! Carrie Anne and Stop Stop Stop also followed and soon, Carl was wrapping up the show with the ‘final’ song; Air That I Breathe- amazing. However, they didn’t leave the stage, they treated the ecstatic audience to Fire Brigade, I Can hear The Grass Grow and Ray Stiles singing Tiger Feet before closing with He Ain’t Heavy, He’s My Brother and a chorus of It’s In Everyone of Us. A truly fantastic show. My mum and dad had fun and Spev and I finally met Tony Hicks, we couldn’t wait to get to Southport.

The guys are one of the best live acts today and if you are lucky enough to be able to see them, it’s worth every penny you spend! Long may they last!

By  Peej

Sunderland Saturday 8th November 2003 by Peej

At nine o’clock in the morning, our day officially began. Sleepy mumbles of “We’re going to meet Tony tonight!” and “Argh, I’m so excited I can’t wait!” were exchanged before a medicinal cup of coffee and a couple of pain au chocolats were consumed.

Some last minute shopping in order to find the perfect outfit for the gig was the order of the day before meeting up with our good friend and Carl’s PA, Helen. We picked her up from Newcastle Airport and went back to Peej’s house. We hurriedly got ourselves beautified for our musicians - my eyeliner went completely wrong and had to be redone at a pub in Sunderland – and off we went.

We met Carl outside the Empire and chatted to him for a minute or two before he had to go and get his outfits sorted for the evening. Helen mentioned to him that Peej and I were slightly eager to meet up with Mr Hicks, and he said that we had more chance of meeting him if we stayed there all evening! We were a teeny bit disappointed, but we had a concert to enjoy first of all...

We met Ray in the foyer before the gig and said hello to him – little did either of us know that by the end of the evening I would be declaring undying love to him in public, much to Tony’s amusement. But more on that later, first of all the gig.

As soon as the lights went down, my stomach did about eighty nine somersaults – and that was even before the music started! I calmed down a little bit when they arrived on stage and launched into Long Cool Woman. Bobby was wearing the world’s loudest shirt, Carl wore a very nice suit, and Tony wore a burgundy coloured shirt with a white top underneath it. He looked damn gorgeous, as always.

The couple I sat next to were not the ‘having fun at concerts’ type. In fact, they were more the sort of ‘sit, listen and NEVER MOVE. And whatever you do – DON’T sing along!’ type. Which, obviously, I’m not. So they didn’t like me at all. In fact I got more filthy looks than I knew what to do with. I didn’t really care, and spent all my time air drumming and eyeing up the lead guitarist – who didn’t visibly complain at this, and I’ve a sneaky feeling he kept looking back at me too.

After the first few songs, Tony uttered the immortal words “We’re going to strip it down now, if that’s okay with you. In fact, we’re going to strip it down to the bare bones.” This, of course, did nothing to help my blood pressure, and I just got slightly perverted thoughts about guitarists stripping down to their bare bones. They then treated us to a lovely rendition of Listen to Me. Tony promised further stripping later on in the gig – admittedly he didn’t say that but that’s what he led me to believe...

He then rambled for about nine years about The Move. He mentioned some of the Move songs that they play at the gigs and asked if it was okay if they played them later. Everyone clapped their agreement, and then he replied “Well we’re going to do them anyway,” to which I burst out laughing very loudly, and he looked at me and said “What?” I nearly died of embarrassment, but somehow managed to not say anything more incriminating.

After they played Fire Brigade, Tony’s bones were once again stripped as Alan and Ray joined him at the front of the stage. Ray hesitated and Tony started teasing him and cajoling him to come onstage next to him, and then I burst into singing “We love you Ra-a-aaay, oh yes we do-oooo!”, and that was it. Tony looked at me and said “What did you say?” to which I replied, “Erm, nothing!” and then he said, “Come on, what did you say?” so I answered, “I’ll tell you later!” – which received a ripple of laughter from various corners of the theatre – and then Tony looked at Ray and said, “She just went, ‘We love you Ra-a-aaay, oh yes we do-oooo!” I went bright red and couldn’t stop laughing. I had just had the piss taken out of me good and proper by one of the most beautiful men on earth!

Immediately after they’d gone offstage, I legged it around to the stage door in the hope of catching Tony before he left. I needn’t have bothered, we were waiting for over an hour, freezing our bottoms off. I kept pointing at Peej’s hand, hoping it would bring us Meeting Tony Luck – which it did!

Firstly I met Ian, who was letting about nine hundred of his ‘cousins’ in. Peej asked if she could be an honorary cousin, and I asked if I could be an honorary neice, and then called him ‘Uncle Ian’. He laughed and went back inside after signing Peej’s autograph book – as ‘Ian Park’. He must have lost his ‘er’ in the hysteria of the gig. Shortly afterwards, my other favourite shortarse, Ray, came along. He thanked me for singing to him at the gig (oh the shame!) and then said that he saw me singing along and was impressed that I knew every word to every song. I wasn’t too sure what to say, but as he went I called “See you tomorrow, then!” and he was quite pleased that we were going to Southport as well!

After waiting for ages and being told by a reliable source that Tony wouldn’t be going through that stage door, I legged it round the corner and saw Peej and Ruud chatting to Alan. I ran over and thanked him for the gig, and he said “We saw you!” I nearly died again. Apparently they appreciated us cheering them on and being so enthusiastic. I immediately promised myself to keep up the enthusiasm levels at each concert, just for their benefit, of course!

After a chat and a hug off Carl, and telling him how fab the gig was, he went to talk to Helen. It seemed like forever until anyone else came out, and it was. Apparently Tony and Bobby were in a meeting. A proper meeting. A real life proper meeting, just minutes after a gig! How odd!

Anyway, after ages and ages and us nearly giving up and going home, the door opened, and I saw Tony’s hair. I suppressed a scream, but then heard Peej yell ‘There he is!’ and realised I didn’t need to scream as I had Peej to do it for me! He looked at me and I said “hello!” and he said “Aren’t you tired? You worked harder than we did out there!”, and I blushed and said “Well you know! I just wanted to say thank you, it was a great gig,” and then I ... I, Miss Heather Louise Wainwright, hugged Anthony Christopher Hicks.

If I was writing a novel about this, then the ‘hug’ passage would read like this:  "Aren’t you tired? You worked harder than we did out there!” Tony told her with a cheeky grin. Spev smiled back shyly.

“Well, you know! I just wanted to say thank you, it was a great gig,” she replied, looking up at him through her fringe. He smiled slowly and almost without thinking, she found herself wrapping her arms around him and hugging him tightly. Tony squeezed her around her waist and she pulled away before she did something she’d embarrass herself over.

What an incredible moment! It’s one I certainly won’t forget. Then I spotted Bobby and realised I had to tell him how beautiful his drumming was. He didn’t quite know what I was rambling about but then I started getting all technical about his drumming and he was quite visibly impressed, and gave me a whopping great kiss – on the lips no less! Then he uttered the immortal line, “I’m eating my supper. It’s raw broccoli!” The only thing I could think of saying in reply was “Incredible, these rock’n’roll lifestyles...” He signed Peej’s autograph book, and obviously remembered her from Preston, because he asked her her name and she replied, “It’s Peej, but you like to call me Peach. We met you in Preston,” and he said “Ah yes, I knew I recognised you from somewhere!” Sure enough, Peej’s autograph book now reads, “To Peach, love Bobby”!

Someone asked Tony if he had a cup of tea during the meeting. He said “No, I didn’t actually, not tea, anyway,” and I let out a shocked gasp. Then he added, “I had my first alcoholic drink in quite a while, actually!” and again completely without thinking I said, really sarcastically shocked, “Anthony Christopher Hicks!” Then, Peej, the wonderful woman, asked Tony if we could have our photo taken with him. He agreed quite happily, and wrapped his arm around her shoulders and pulled her into him. She nearly died, but automatically put her arm around his waist and rested it on his bottom. Good girl, I was very proud of her. He then asked, “Who else have I got?” and I said, “Erm, it’s me, actually!” and he wrapped his arm around my waist, so I snuggled into him tightly and rested my head on his shoulder while Helen took our photo. I swear to god, the man who NEVER smiles on fan photos was quite blatantly smirking, a really dirty smirk at that!

After a while, and quite a lot of chatting to Bobby, who ended up having a staring competition with us for a while, we decided to go, because I for one had lost feeling in my legs because I was so cold. He blew me a kiss goodbye, and I blew one back at him. So, after an entirely successful opening night of our tour, we rode back in almost complete silence, except for the occasional hysterical giggle and demented mumble of “Tony Hicks actually hugged me... Me... He hugged me...” After we got back into Peej’s room I made quite a few unrepeatable comments about him having his body tightly pressed against mine, but we won’t go into that.

After such a wonderful night, all we can think is ‘Will Southport live up to our expectations?’ Well, in another twenty four hours, I’ll be able to tell you!

Sunderland Empire, Saturday 8th November 2003 by Elsa and Adrian Robson.

Having been to the “Hollies” show at the Sunderland Empire last Saturday, we’d just like to let you know what a revelation it was.

Sadly, their visits to the North East of England are few and far between, but this time, all I can say is that the whole show was absolutely incredible.

There’s an enthusiasm and excitement that was maybe slightly lacking at the end of the nineties, and a feeling that the band is now “together” and really enjoying what they’re doing.

We all know that Bobby Elliott is still one of the most energetic and professional drummers around, and there’s nothing I could add to the plaudits already given to Tony Hicks, but isn’t it nice to see the rest of the boys now given their own chance to shine?

Alan Coates has become a vital part of the Hollies “sound” both vocally and instrumentally, and I was interested to see that after several years in the background Ray Stiles is now getting to show what a fine bassist (not to mention singer) he is.

Also, I get the impression that Ian Parker is responsible for the much “fuller” sound that the Hollies now have. I don’t really know how to describe it, but I’m sure you’ll know what I mean when I say that the band now have a “BIG” sound that fills the theatre and gives the audience a much greater impact.

Finally, Carl Wayne has wisely not tried to replace the irreplaceable, but has brought his own style, charisma, and technique to the band, and perhaps added to the feeling that the six boys are really working for each other now.

They also obviously believe in investing in equipment, lighting, and instruments, and all I can say is that it’s money well spent!

Amazingly, I reckon the new sound and arrangements they’re giving the hits is actually an improvement on the originals – and that’s not something I say lightly – and the inclusion of material by the Move and Mud helps in giving the show the freshness that’s now evident.

As you’re perhaps someone with some influence in these things, could I please suggest one of the following?

Re-recording the hits using the current line-up and arrangements.  Or, a “live” C.D. of their current act. Or a video of their current act.

It just seems essential to me that the rebirth of one of pops classic groups should have some permanent record, and I’m sure that view must be held by everyone who sees their show nowadays, and like us came away feeling that they’d seen something very memorable.

Anyway, keep up the good work with the website, and we’ll be there at Carlisle next March! (and whenever they’re back in the North East)

Elsa and Adrian Robson.

‘OLDIE NIGHT’ – Hallenstadion, Zurich – Saturday 10 May 2003 by John Truman

We left for Luton early on Friday morning and checked in our hotel in Zurich about lunchtime. We spent the rest of Friday and Saturday morning sightseeing. Zurich is a very pretty place complete with trams, cobbled streets, rivers and many designer shops along the main street called Bahnhoffstrasse which eventually leads to a big lake called Zurichsee.

As well as Hollies fans, we are Nottingham Forest supporters as well, so on Saturday afternoon we found a sports bar which showed the first leg of the First Division play-off game on TV. We only managed a one-all draw but we were hoping for more excitement as the evening’s entertainment drew closer.

We arrived at the Hallenstadion at 5.30pm (wearing our Hollies shirts purchased at last month’s convention) just as the doors were opening. We did not know what to expect, as it was our first time at one of these events. The ‘Oldie Night’, so called by the organisers, is an annual event and a full house was expected. The stadium apparently hosts sporting events and concerts and reminded me of the NEC indoor arena, with the stage at one end, seats around the sides and far end, with standing room in the centre. 

After showing our tickets and having our bags searched, a lady was giving out earplugs to everyone. Obviously a loud night was in store!

The show started at 6.30pm and by that time the stadium was full. It is hard to say how many people were there but my guess is there must have been about 5,000 people inside the stadium. The compere announced in German that we were in for over 6 hours of music. And he was right!

First on the bill was Desmond Decker. He sang just 3 songs, the final one being ‘The Israelites’. Even after all these years, it still sounds like he is singing ‘Me Ears Are Alight!! 

After each artist, the stage crew took about 10-15 minutes to get the stage ready for the next one.

Next on were The Searchers who did a 30 minute slot. They did most of their big hits including Sweets For My Sweet, When You Walk In The Room, Love Potion Number 9 and Needles & Pins but also did versions of Mr Tambourine Man, Twist and Shout, Young Girl and Rockin’ All Over The World which got the audience on their feet.

Off went the Searchers and on came the stage crew. The time was now approaching 7.45pm and I saw the familiar figure of John Pratt on the stage checking that everything was in the right place. Then the compere introduced The Hollies, who came on stage to a terrific round of applause.

Long Cool Woman was the first song, quickly followed by Sorry Suzanne, Jennifer Eccles and Bus Stop. There wasn’t much time for talking although Carl did try out his German and French to the audience. (I think most of the audience were German speaking although I did hear some French. We did not hear much English spoken at all). On A Carousel was next with Alan Coates’ vocals ringing around the stadium, then back to Carl with Blowin’ In The Wind. I was half-expecting Carl to say that Bob Dylan lived in Switzerland and was called ‘Basel Bob’ but he didn’t! The next song was Carrie Anne and Carl mentioned the Caribbean influence of the steel drums and did an impromptu Desmond Dekker impersonation. (And it still sounded like His Ears Are Alight!!). I could hear some of the crowd near us gasp with amazement when Ian Parker ‘played’ his steel drums! Next came the magnificent Air That I Breathe which went down extremely well with the crowd, who brought out lighters and even sparklers in some cases. Carl encouraged everyone to join in the chorus, which we all did. Tony then reached for his banjo so we knew what was to come. He did his solo which the crowd appreciated then it was straight into Stop, Stop, Stop which the crowd loved. Carl then asked the audience if his German was crap. I couldn’t understand the replies! He Ain’t Heavy was next and this went down a storm with the audience. Out came the lighters and sparklers again as Carl’s harmonica and his powerful voice echoed round the stadium. The lads got a terrific and well-deserved standing ovation. Finally they sang the first verse of It’s In Everyone Of Us. The harmonies wowed the audience then Bobby thanked the audience and said goodbye. It was now 8.30pm.

The Hollies had, once again, put on a very professional performance and the audience loved them. My only disappointment was that they were not on long enough but with 4 more artists still to appear, every act must have been limited to 45 minutes. I couldn’t help thinking that Ray’s Tiger Feet and Carl's I Can Hear The Grass Grow would have gone down extremely well with that crowd. Oh for another 15 minutes!

Leo Sayer was next up and he did most of his well known songs like Thunder In My Heart, More Than I Can Say, The Show Must Go On, Orchard Road, You Make Me Feel Like Dancing, Raining In My Heart, When I Need You and Long Tall Glasses. 

His 45 minutes were up then it was the turn of Suzi Quatro who soon got the crowd on their feet with her brand of rock and roll. The Wild One, 48 Crash, Can The Can and Devil Gate Drive were all included and she had the courage to perform some new songs from her forthcoming album. She played the piano, did a bass solo and also played the drums. So much energy for a little lady! She finished with You Can’t Give Me Love and the audience loved her.

The time now was almost 11.00pm and it was the turn of Smokie. I’m not sure how many originals are left in the band but they did well. Apparently they appear quite regularly on the continent. They sang all their hits including Meet Me At Midnight, Lay Back In The Arms of Someone, then a medley of It’s Your Life/Take Good Care of My Baby/Mexican Girl/For A Few Dollars More. They also sang Don’t Play Your Rock and Roll, Oh Carol and a good version of Creedence Clearwater’s Have You Ever Seen The Rain. They finished off with Living Next Door To Alice and the crowd joined in with the rude Chubby Brown version (which sounded funny in a German accent!!).

It was now midnight and the turn of the final act – Slade. So that’s why the lady was handing out earplugs! Noddy Holder was no longer in the line up but they still made a lot of noise. They sang Come On Feel The Noise, Far Far Away, Every Day and Cos I Love You. We had to leave them to it as it was now 12.30 (six hours on) and time to catch the tram to take us back to Zurich City Centre.

Unfortunately we discovered that the last tram had already left and we had to walk to the nearest railway station to catch the last train to Zurich Hauptbahnhoff. After an early breakfast at our hotel, we checked out and made our way to the airport to catch the plane to Luton. Who should we bump in to but Suzi Quatro who quite happily chatted and posed for a photo at the terminal in Luton.

We thoroughly enjoyed our weekend in Zurich and experienced for the first time seeing The Hollies perform outside the UK.

Next stop is Newmarket in August – a bit closer to home!

JOHN AND HELEN TRUMAN

Review of the Hollies Concert, 4.may 2003 Aarhus, Denmark

"Oh What a night!"

It was with great expectations that the audience received The Hollies in the City Music hall, Aarhus, the musical capital of Denmark, last night, 4. May 2003.

Right from the start of the show, there was a very good contact with the audience. People were dancing and singing, and sometimes the audience applauded and cheered so loud and for so long, that Carl had to hush and put them down, in a gently way of course.

The crowd went crazy when Carl waved his microphone in the air over the audience, and so he did every time they joined singing with him. After singing Carrie Ann, Carl and the band applauded the audience for the act.

Carl had not been in the city since the Move-days in 67, and The Hollies have only played here once before, in 1980. I was lucky to be in the audience at both concerts. At that time as a young musician, but this time I brought a guest. I went with a very keen Hollies fan, my daughter at 22, who wasn't even born the last time Hollies played in Aarhus.

She was very amazed to se so many 'grey people' playing and singing so well, and enjoyed her first meeting with her idols in a live session.

There was a very good atmosphere, when the cascade of old and new songs 'Hit' the audience, and the harmonies sounded well in my old ears. It was a very good mix of songs and the performing was excellent.

I hope that the Hollies will go on touring for a very long time, and still bring joy into the hearts of people.

People in Aarhus certainly got what they came for, and have been waiting for so long. 'The magic of The Hollies'

Oh what a night.

!P.S. To Carl, Tony, Bobby, Ian , Ray and Alan - Thank you Lads.

From Per Laursen, Aarhus, Deep in The Heart of Denmark

Preston Concert 26/04/2003 By Peej in Newcastle  

Set List:  Long Cool Woman, Here I Go Again, Jennifer Eccles, Yes I Will, Look Through Any Window, Sandy, Listen To Me, Butterfly, I'm Alive,  Fire Brigade, We're Through, On A Carousel, Blowin' In The Wind, 

2nd Set:  How Do I Survive, Sorry Suzanne, Just One Look, The Baby, Soldiers' Song, Gasoline Alley Bred, Too Young To Be Married, Bus Stop, Blackberry Way, Carrie-Anne, Stop Stop Stop, The Air That I Breathe, I Can Hear The Grass Grow, Tiger Feet, He Ain't Heavy, He's My Brother, It's In Everyone of Us

Short Version: Fan-wonderfully-Tastic!

Long Version: The moment I stepped into the Guild Hall, I knew that the concert was going to be a huge success! I'd been lucky to meet 5 out of 6 Hollies before the show- I'll have to arrive earlier to catch Tony next time- and I'd found all the members very friendly and fantastic!

As soon as the house lights dimmed, intro music to the concert was played and I was able to pick out familiar guitar riffs from some of the earlier Hollies hits. The guys came onto stage to applause and with great energy launched into Long Cool Woman, this was well received as were the "wall- to- wall hits" that they played. The guitar solos, although mostly played by Tony and some by Alan, were wonderful. 

The guys were on top form and Carl swung his microphone so many times I was sure he was going to drop it, but he never did! Carl's humour and jokes were great, he connected very well with the audience and is a great front man for the group.

When Carl, Ian and Bobby left the stage we were treated to Listen to Me and Gasoline Alley Bred by Tony, Alan and Ray. I was blown away by the Listen to Me introduction, I think it was acapella, I'm not sure but it still blew me away. 

The audience were also treated to Tony's banjo work! Tony picked up the banjo and played it, eventually joined by Bobby, but I didn't notice what happened, I had never heard such wonderful banjo playing in all my life! Again, Tony drew you into the music he was playing and the audience appreciated this a lot. This led to a very energetic version of Stop Stop Stop, it's a shame no-one danced to it because I'm sure that's what was expected of the audience. Speaking of the audience, they were asked to participate during Blackberry Way as Carl held out his microphone stand trying to get the audience to sing. He got a very welcome response to this!

The other musical talents of the band members were shown to the audience. For We're Through, Ian Parker donned a miners lamp and his piano accordion and wandered through the stalls, much to the delight of the audience. Carl Wayne also showed us his skills on the keyboard.   During Bus Stop,  Ian Parker donned his piano accordion again but this time swapped places with Ray Stiles and started to kidnap his stuffed toy dog; Shep. Moving slowly round the back of the stage with Ian, Shep soon ended up in front of Bobby's drums as Ray returned his position to notice the dog's disappearance. playing was amazing.

Having mentioned all of the band except him, I know I wouldn't get away without mentioning Bobby- his drumming was fantastic all through the night as he accompanied the guys with such energy and spirit. I noticed his concentration at his work as the percussionist as well, during Soldier's Song. As he worked through the various bits of percussion and then onto his drums, he added a very eerie atmosphere to this fantastic song. 

I also want to add something about the lighting now because that was fantastic and really made the show special, especially during Soldier's Song where the strong reds really emphasised the song.

There were many dedications during the night. For example, Blackberry Way was dedicated to Roy Wood. One other dedication was of Carrie-Anne to Graham Nash. As the lighting changed to give a Caribbean feel to the song, the guys played the famous chorus singing their 'doo doo' and then from the audience we could hear Graham's trademark 'Hey Carrie-Anne' top vocal line being played and that really brought a thrill to the song.

Eventually, the crowd was up and dancing during Ray Stiles' singing of Tiger Feet and after such a bouncy tune, came He Ain't Heavy and then It's In Every One of Us! 

These got the audience swaying together and many shouts of more, more! 

Unfortunately, the band had to leave us at some point! It was a thoroughly enjoyable night and well worth all the money I paid to come to Preston from Newcastle to see it! 

Keep it going guys and I look forward to seeing you all in November!

By Peej.

The Hollies, Preston 26 April 2003 by Spev Lane

Someone ought to have told The Hollies that it’s not polite to keep a lady waiting. On the day of the concert I counted how long I’d been dreaming of this event, from the day I found out there’d be a gig at the Preston Guild Hall, to the cancellation of the original gig due to Carl Wayne’s illness, to the actual date of the gig and realised that I’d waited fourteen months. That’s a long time to wait for six geezers just to come on stage, sing a few songs and wow the audience!

The band firstly launched into a personal favourite, Long Cool Woman, before warming the audience up with some more old favourites like Here I Go Again.

It was amazing being in the same room as the people who had helped shape four decades worth of music. Who cared that not all of them had been in the band since 1964? If everyone was going to be so pedantic about all bands retaining the original members, then where would The Beatles have got to? Indeed, if Vic Farrell and Don Rathbone were still in The Hollies, would they have been more than a one-hit wonder, if that?t’s all academic now, all that matters is that the six men on stage that night were worthy of being members of such a prolific band, each one had earned their place there by their sheer talent.

Alan Coates performed a tear-jerkingly beautiful version of Butterfly,  Ian Parker became the World Number One Accordion Player Whilst Wearing A Miner’s Lamp On His Head for the evening, Ray Stiles had to be applauded for spending the evening wrestling with a bass guitar and a stuffed Old English Sheepdog named Shep! that was quite possibly twice the size of him.

As for Carl Wayne’s voice, well, that was the second most perfect sound of the evening aside from Bobby’s lovely floor tom rolls of course.

One of the many highlights of the evening was the beautiful Soldier’s Song, which Carl sang with great emotion and showed off his terrific vocal skills. I feel we really ought to mention Bobby Elliott’s fantastic drumming at this point, because as far as I can recall, nobody on stage seemed to give Bobby a mention, even though he’d drummed beautifully for the whole evening! This was particularly evident in Soldier’s Song where he played with such sensitivity and yet such strangely tense and restrained strength it brought tears to the eyes and sent shivers up the spine.

Another fantastic display of his drumming was in the superb Blowin’ In The Wind and of course in Bobby and Tony’s duet on banjo and drums just before Stop Stop Stop. Absolutely astounding. It really had to be seen and heard to be believed.

Another highlight that cannot be overlooked was the stunning electric sitar solo Tony delighted us all with just before they performed The Baby. As we watched him play, we forgot anyone else was in the room aside from Tony and the sitar. He lost himself in the music so much that he drew us in with him. Funnily enough, it was Tony who broke the spell by bursting out laughing at the end and telling Carl that he’d put him off! You’d think that by the time they’d been on stage for two hours they’d be absolutely exhausted after all that exertion, but no, they’d only just begun!  Tony announced that they were still ready to rock and true to his word they began a fantastic rendition of The Move’s I Can Hear The Grass Grow which had everyone in the building up on their feet and dancing away.

Spev, Gordon Jamieson and Peej

They continued with Mud’s Tiger Feet, and more and more people seemed to be flocking to the front of the stage to dance their socks off.

After they’d got our pulses soaring with that little lot, they calmed everything down by singing  He Ain’t Heavy, He’s My Brother. This is the song that everyone, Hollies fan or not, knows all the words to and has been played on radio, TV, countless Greatest Hits albums and more besides, and the song sounded just as wonderful as the first time I’d heard it way back in 1987!  Regardless of what exactly made it so special, the song was just the perfect touch to a perfect evening.

We thought that would be it, but happily they left us gasping for breath after singing the first verse of the stunningly gorgeous It’s In Everyone of Us.

Then, sadly, we all knew that it was really time for them to go, and off they went. Gone, certainly never to be forgotten and they’d undoubtedly left the vast majority counting down the hours until their next Hollies gig

By Spev Lane

Review of The Hollies’ Concert at The Guild Hall, Preston  Saturday, 26th April 2003 By Anne Bingham

After waiting for almost two years for the Hollies to appear again in Preston, their fans finally got their wish, when the band played their rescheduled November 2002 concert on Saturday, 26^th April.   We had good seats, at the front, third row, just to the right of Tony, so we were well able to appreciate the music!

The concert was excellent and the fans were certainly not disappointed.  The audience really warmed to the group from the very first moment that they appeared on stage and I think that they really appreciated this and responded in kind.  My husband commented that he thought they were better now than they had been when we saw them at the Guild Hall in March 2001.  They really seem to have come together as a group with Carl as their lead singer.  Perhaps the last time we saw them, they were a little apprehensive, wondering if Carl would be well received.  It was good to see Carl back and he sounded great, so let’s hope that his health is better now.

I shall not go into detail about the set list, as it was the same as the other concerts they have played but I shall just mention the songs which I particularly enjoyed, although all the songs were extremely well done.  I really enjoyed the ‘Soldier’s Song’, which was dedicated to the forces in Iraq, it is a very emotive song and suits Carl’s voice perfectly.  I especially enjoyed hearing ‘The Baby’ performed, this is not one of the Hollies’ most famous songs but it is good to hear it and my husband enjoyed ’Sandy’ as he is a great Bruce Springsteen fan.  It is very difficult to pick out one particular song as being the ‘best’ but I must say that I always enjoy hearing ‘He Ain’t Heavy’ and the one that the Hollies finish their concerts with: ‘It’s In Everyone Of Us’.  Before they performed this song, Carl spoke of people having some traumatic or life-changing experience, which makes them appreciate life more, he had had this experience with his recent illness.  He commented that health is the greatest thing you can have in life and left us with the thoughts that you should enjoy every day of your life.   I am sure that the audience agreed with him and many people must have been able to empathise with him, as I am sure that everyone has had some difficult times in their lives!

However, it was not all serious stuff!  As usual, there was plenty of humour and the audience found Carl’s comments about the birthplace of Bob Dylan being in Bamber Bridge and his reference to him as being ‘Bamber Bob’ pretty hilarious.  He was so convincing that, for a moment, I almost found myself believing him, until I reminded myself that really it is ‘Blackburn Bob!’

Another funny and surely unscripted moment came when one of Alan’s guitar strings broke and Tony commented that if that had happened to him, he would be ‘petrified’.  Alan responded that it would not matter as Tony had five guitars and he, Alan, has only one!  For me, a big part of a Hollies’ concert is the humour, I think they are great!

The two hours passed very quickly and the audience was very reluctant to let them go at the end.  Even after the ‘encore’, the audience still wanted them to stay, they are so well liked in Preston.

As for me, my lasting memories of that night are of good music and even more than that, of the true warmth of feeling which was so apparent between the Hollies and their audience in Preston.  Let’s hope that we shall not have to wait another two years before they return and Carl did say at one point, that they would still be around in another ten years!  Let’s hope so.

Anne Bingham,  Cherry Tree, Blackburn

CIVIC HALL GUILDFORD FRIDAY 25TH APRIL 2003   Report by Bieneke Barwick & Andre Rosendaal.

In contrast to most bands of today The Hollies are a group that learnt and perfected their musicianship while performing. How can you tell?

In a nearly sold out Civic Hall the audience were treated to a well thought out and varied choice from the extensive Hollies repertoire i.e. a balanced programme.

A captivating start with the evergreen 'Long cool woman' was followed by a number of up-tempo songs (Here I go again, Jennifer Eccles & I'm alive) and beautifully arranged ballads like 'Sandy', 'Butterfly' and 'Too young to be married'. 

Two acoustic interludes were performed by Tony, Ray & Alan as the self-proclaimed three musketeers. They gave a perfect close harmony style rendition of 'Listen to me' and 'Gasoline alley bred'. After the break their new song 'How do I survive' has a catchy chorus, which you can sing along to instantly. 

Songs of other sixties bands like The Move & Mud were also slotted nicely into the programme. Great audience participation was enjoyed with 'Fire Brigade', 'Blackberry Way' and the rockers 'I can hear the grass grow' and 'Tiger Feet'. After the traditional 'He ain't heavy' Carl, Tony, Alan, Ray & Ian sang a closing chorus of 'It's in everyone of us' by David Pommeranz. According to Carl a song with a philosophical message to enjoy life to the full, as anyone can encounter a bad patch unexpectedly at some time in their live. Bobby thanked the public and the boys received a well-deserved standing ovation.

Not just the programme-format but moreover the musical performance and entertainment qualities confirmed the professionalism of the group.

Singer Carl Wayne has become an inspiring new front man for the band. In Guildford he was quickly able to engage the audience with many Carousel members amongst them, as well as his own 18 year-old son Jack and two of his mates. Sometimes an ironic note: 'in the break you can ponder on the thought, how old are the Hollies by now?' Then truly seriously minded: 'Soldier Song' dedicated to the brave soldiers who are fighting in Iraq for our freedom'. His singing prowess was much in evidence during 'Soldier Song', 'Blowing in the wind' and Move's bum-swaying 'Blackberry Way' (our efforts were greeted with: 'you sound like a church choir')

Guitarist Tony Hicks entertained us with animated pop scene reminiscences from the sixties and seventies. On hearing his guitar intros and solos during 'Too young to be married', 'The Baby' and the electrifying 'Stop, Stop, Stop' it is clearly evident that he is one of the world's best pop-guitarists on stage! Including best hair-do….

Last but not least the skilled input of the other band members is exemplary. Notably the clear vocals of guitarist Alan Coates on 'Butterfly' and 'On a Carousel'. Keyboard player Ian Parker wanders around mischievously with his accordion during 'Were through' (do get back promptly Ian!). His arrangements enhance many a classic Hollies song. 

One of the highlights of the show was bass guitarist Ray Stiles' enthusiastic performance of the genuine rocker 'Tiger Feet', complete with original 'choreography'. Well done Ray! 

And through it all… he drums it his way, does Bobby Elliott. The band and fans alike are ever grateful to have a drummer of his calibre on 'the kits'. Especially 'Blowin' in the wind' bears testimony of his accomplishments.

The Guildford audience joined in with singing, swaying and clapping during the approx. 29 songs the group presented. Our view from the upper echelons witnessed one tall lady on the side aisle having an endless ball on her 'air-drums' and later she was revelling near the stage with fellow-Holliettes. 

Such a magnificent show and responsive audience was worth the horrendous traffic jam on the M25.   Hence, our advice for the brief Hollies autumn tour 2003: if you're an avid pop-fan, do pop along!

By Bieneke Barwick & Andre Rosendaal.

The Hollies in Bournemouth, 6. April – concert review by Knut Skyberg, Oslo, Norway

On this trip to England, 3 friends came along with me for the Bradford concert. Our base was Manchester. We were originally to go to St. Albans in November, but as you know that tour was postponed. So we made new plans, Man United played Liverpool at Old Trafford the same weekend as The Hollies played nearby, so plans were made. 

Bradford was in fact a pleasant experience, a break from the sometimes a little stiff concert hall environment. Although the rest of the group were a little worried about that event, Ray Stiles was very enthusiastic about it. This input I got at the well-organized Bournemouth convention, where I had the chance to talk to all of the band members individually. 

All of the guys recognized me, I was really flattered, and Carl was so easy to talk to. Credits to the Fan Club for arranging this! 

Now I won’t tire you about the 5-6 hours on the train from Manchester to Bournemouth. More important was that I got there, and had the chance to attend the convention, meet the group and experience one of the best Hollies concerts I ever have heard. 

This time I decided upon sitting more in the middle of the hall, instead of up front, where most the true fans use to sit. Since the sound is mixed from the soundboard further back, it is no wonder the sound is better there. To those of you who always sit on the first row, try sitting in the middle of row 10-20 for once. You’ll hear a different show! 

Once again the hall was packed, and there was an aura of high expectations when the show was announced to begin. We were treated to the now familiar opening version of  “Long cool woman”, which set the standard. I won’t go into detail about all the songs you know. What I think is most remarkable on this tour is that you meet a very tight band, playing much more together, feeling loose, compared to 2 years ago. 

Some details, though: The electric sitar intro from Tony at the beginning of the beautiful “The baby”. Can we have “Magic woman touch” on the next tour, please?  

The acoustic break with Listen to me, Gasoline Alley bred was so beautiful. You may compare Coates, Stiles and Hicks to a certain other harmony group. 

The first half ended with a powerful “Blowing in the wind”. You could see smiling faces all around (haven’t I heard that phrase somewhere else?). 

During the second half we got the new song, “How do I survive” that sounded better than on the record, and during the whole show we were treated to 3 strong Move songs, “Fire brigade”, “I can hear the grass grow” and “Blackberry way”. Excellent!! 

Due to the special stage at the Pavilion, we missed Australian “belly dancer” Christine that did an act that fitted so well in for the “Stop stop stop” in Bradford (sorry about a safety guard dragging her down there, though).

I also have to mention “Too young to be married” which is one of the best self-penned Hollies songs. 

“Soldier’s song” was dedicated to the soldiers fighting in Iraq. 

Carl also mentioned people coming from all over the world for the concert, and was thankful for the loyalty of the fans attending the convention. 

The Mud song “Tiger feet” made people almost climb their seats. 

Once again the Hollies received a standing ovation, this time I believe people stood or danced during 3 of the last songs. I only wish I could have the full version of “It’s in every one of us” live once. 

After the show some of the Carousel members met for a talk and a drink, and another memorable day had passed. Good luck for the rest of the tour, lads.

Knut Skyberg, Oslo, Norway.

Pennington’s Live, Bradford, 4^th April 2003 By Helen and Claire Wright, Burnley

Friday’s show at Pennington’s Live took place on precisely the 40^th Anniversary of The Hollies first recording at Abbey Road studios.  Our first impression was that this was not the place the band should be playing on such a momentous occasion, as it was a night club and not the usual Opera House or Symphony Hall they are used too.  However, we went with an open mind and the promise of a disco after the show!

Once inside it was obvious this was no seedy club but a popular, well run, well maintained night club for the more ‘mature’ customer (it was nice to be one of the youngest in a night club instead of one of the oldest!).  The evening warmed up with a sixties disco before the main event.  At 10pm, this was a late start time for the boys (and us!), but by this time the audience was warmed up, well oiled and ready for a good night.

As the fanfare signalled the arrival of the group, a small gathering of fans appeared at the front of the stage.  We were soon joined by a number of ladies who were keen to dance their way through the show.  The 75 minute show was a condensed version of their 2 hour set, containing all the fast, dancy hits (Soldier’s Song just wouldn’t have worked in a night club).  As we danced our way through the show, Carl decided the time had come to flirt with every woman in the crowd – and they loved him!  Ray and Ian also took advantage of their mobile instruments and wandered about on stage, inspecting the array of glittery tops in the audience. 

The band went down a storm, and it was lovely to hear the echoes of the crowd as they sang along to all the hits.  The acoustic versions of Listen to Me and Gasoline Alley Bred worked surprisingly well in this more unusual venue.  Tony impressed the crowd with his electric sitar playing during The Baby, and thankfully Carl didn’t make his ‘usual’ joke in the intro!

A lovely moment came during Stop Stop Stop.  Carl and Alan had encouraged Aussie Chris to get up on the corner of the stage to perform her now famous dance routine.  Unfortunately, when another lady decided to join her, the ‘bouncers’ decided this was too much of a risk and pulled them both down from the stage.  Cue Ray and Ian, with their mobile instruments, who dashed forwards and proceeded to dance in exactly the same spot the girls had been removed from!  That showed the bouncers exactly what the band thought of their party pooping antics.

All too soon the time had come for the band to depart, and the crowd were left shouting for more.  It would have been great if they could have thrown in a few more songs, but with a drive to Hastings waiting for them, it was time for them to depart.  Still, we did have a disco to keep us going for the next hour or two!

On the way out, we picked up a leaflet of forthcoming events at the club.  These consisted mainly of old Eighties rockers and tribute bands, with entry costing £5.  At £15 a ticket, The Hollies were a premier event, and Pennington’s Live had certainly experienced a quality performance from premier band this evening.  We just hope that next time the band return to Bradford (to the Alhambra, please) some of the audience from Friday night go and see them back where they belong.

Helen & Claire Wright

Set List:-

Long Cool Woman
I Can’t Let Go
Sorry Suzanne
Yes I Will
Look Through Any Window
On A Carousel
Just One Look
Bus Stop
The Baby
I’m Alive
Listen To Me
Gasoline Alley Bred
Blowing In The Wind
Carrie Anne
Stop Stop Stop
Air That I Breathe
I Can Hear The Grass Grow
Tiger Feet
He Ain’t Heavy
It’s In Every One Of Us

Christine Wilson enjoying herself in Nottingham  24 March 2003

Saturday, 22 March,  Koln Arena (Cologne),  Germany By Tina Bartlett.

For those of us more used to watching The Hollies at home in the UK, seeing them when they played at the Oldies Total festival at the Cologne Arena in Germany on Saturday 22 March 2003 was a very different experience indeed.

On tour dates at home the Hollies play without a support act so we get a good two hours of their music.  The festival in Cologne featured a dozen different acts, kicking off at 18.30 with Harpo and finishing some seven and a half hours later with Slade.  The Hollies were 9th in the running order sandwiched between Boney M and Suzi Quatro, before both Sweet and Slade but after the likes of Smokie, The Tremeloes, The Searchers and Pussycat.  

It was great to be able to see so many good acts in the course of a single evening,  but the downside was that each act played only a very short set.  

The Hollies were on stage for just over 40 minutes.  The audience were definitely up for a good time and determined to enjoy themselves so with such a limited amount of time at their disposal The Hollies sensibly stuck to playing some of their many hits and we had to do without the Move numbers, as well as favourites like The Baby and Soldiers Song.  

The German audience had no idea just what they were missing though and gave the band a rousing reception and a deafening standing ovation

All the best,

Tina Bartlett

Birmingham Symphony Hall Friday 21st March  Review by  Tony Wadsworth,  BBC Radio Birmingham

When Allan Clarke quit the Hollies and retired, the future of one of the music industry's most prolific and creative groups of the sixties was in doubt. Renowned for their tight close harmonies, it was Clarke who was lead singer on most of their countless hits over the years. Who could ever replace him?

Step forward Carl Wayne.

Read the full review here

Charter Hall Colchester on Saturday 15^th March by Mike Lait

The Hollies concert at the Charter Hall Colchester on Saturday 15^th March was 2 ½ hours of pure magic. 

For me a definite bop down memory lane.  I was reminded just how many hits the Hollies have had as they performed most of them. 

The first record I ever bought was “Look Through Any Window”, this 60’s memory came flooding back as Tony Hicks started the distinctive opening guitar solo to this hit.  Tony demonstrated his skills time and time again as he played 4 or 5 different guitars, banjo or sitar throughout the performance. 

They opened the second half with a brand new song called “How do I survive”.   The band also included 3 hits made famous by the Move and one from Mud. 

A great evening which ended with the Hollies getting a standing ovation from the audience.

Mike Lait

Beck Theatre on Wednesday the 12th March by Kelly Daugherty  (18)

 It was simply great. I personally hadn't been to one of their concerts before, and I'm so glad I went this time. I was looking forward to the concert for about a year beforehand and I was upset when it was postponed-(which was fine, really. It was understandable; for good reason). It seemed like a long time-October to March- but it was definitely worth the wait.

 I'm 18 and I had to get my dad (who's 57) to go with ME. (Even though he has always been a Hollies fan). Even though I wasn't born until 2 decades later, I love the 60's, in general, but the music is just the best. I am a Beatles fan; I love The Who, The Kinks, Pink Floyd, and the list just goes on.... yet I have a great appreciation for The Hollies music. I have always loved The Hollies- I remember singing Jennifer Eccles in nursery.

They have a special way of not just playing and writing their music but their singing as well. One of the many things to love about The Hollies is their ability to sing such great harmonies. It's not just their own brilliant songs, which they write, but also the way they take others' songs and totally make them their own.

Granted most bands could probably do so, but for me The Hollies do so in a Good way. When cover versions are done, (especially nowadays)- I usually find myself saying, "It's not as good as the original"; but I have always loved their version of Bob Dylan's 'Blowin' in the Wind'. I was So glad that they included this in their concert. 

They performed that evening with so many different styles of music. Their songs were well chosen and it was a nice idea to include some great songs by The Move, and Mud. There were new songs, as well as a couple of songs, that were said to be not so well known, e.g. 'Too Young to Be Married'.  It was known to me, (as I'm sure it is to most everyone who attended, and have been loyal fans from the start), and I happily sang along.

The anticipation, at the start, was made worse. Lights were flashing, there was music playing. This went on for a while, (you knew the band were getting ready; then it went dark and suddenly the lights were up again, the music had started, they were on the stage playing, and singing. 

Other singers that I have seen live- I must admit this is not a big number - have not managed to even come close to the standard of singing and playing that The Hollies showed that night. They sang so good that it didn't seem live at times; but it was, and I was there and it was great. Yes, they have been doing this for a long time, and known what they are doing but this is why the deserve so much respect, (and I certainly have much for them and their great talents).

I must admit that I'm not much of an emotional person-supposedly something all females are....but when they sang the 'Soldier song, I have to say I felt something. An overwhelming feeling. Amazingly it bought tears to my eyes.  This is an amazing gift to produce feelings like this, in anyone.

I do wish, so much, that Allan Clarke was still singing- absolutely No disrespect meant to Carl Wayne, who is an AMAZING singer and he was fantastic on Wednesday-(This is where I must add he and all of them in fact kept spirits high by making us laugh-e.g. the whole Bob Dylan from Southall thing)-but Allan Clarke had the most wonderful voice and basically I love him for that!! 

Everyone in the band 'that night'-as I'm now calling it-was FANTASTIC, and for me especially, Tony Hicks' guitar/sitar playing was excellent-WOW!! 

All of them were so wonderful. The night was simply a great display of true musical talent that will be there forever and has definitely made my life much better!! 

I hope they know how much their music means to everyone-I'm sure they must. They certainly helped me on many levels as I listened to their music whilst growing up-(and now). The only thing that I have left to say is that now I have the means, in my life, I will DEFINITELY be going again, and hopefully again.. and again.. and again.

The Hollies will always be GREAT, and they proved it on the 12th March, at the Beck Theatre. (A great band and a great night for everyone!!!!).

By Kelly Daugherty

Assembly Halls, Tunbridge Wells. 7th March by Janet Pearson, Hastings

Having been postponed from November last year, the day had finally arrived for the journey from Hastings to the Assembly Halls for what was to be the first of my shows this tour and indeed the first show I had been able to attend since Carl joined.

This is a very good venue and as usual the house was packed, everyone eagerly waiting for the lights to go down to introduce the first half overture.

Once on stage the lads launched into LONG COOL WOMAN, Carl immediately encouraging the audience to clap along, (do we need encouraging? I think not! ) Without almost a breath it is straight into HERE I GO AGAIN and JENNIFER ECCLES.

After welcoming us all and reminding us that it is 40 years that Tony and Bob have been playing as founder members, he goes on to sing what he states is his favourite Hollies song, YES I WILL, noticeably altering the lyric slightly to tell us all he will be "true to Sue" at one stage! (The name of his wife)

LOOK THROUGH ANY WINDOW was next, nice to hear it done with the 12 string guitar for a change, followed by SANDY, which is a song that really suits Carl's voice.

Then the lads leave the stage to Alan and Ian for that wonderful version of BUTTERFLY, surely if you shut your eyes it's hard to believe it is not Graham singing it!

All back on stage for I'M ALIVE followed by the first Move song FIRE BRIGADE. Next is WE'RE THROUGH, and of course Ian has vanished to do his walk about with the accordion! Carl very ably fills in on the keyboards until Ian gets back on stage and takes centre mike to do a bit of singing! He certainly has "come out" a bit over the last few years. CAROUSEL is next and part way into the song Carl is slightly amused as someone gets up to leave the arena, nothing personal Carl I'm sure! Lastly is BLOWING IN THE WIND to complete the first half, this song I have not heard done for a few years, tremendous.

The second half starts with the new song HOW DO I SURVIVE which is received very well and indeed sounds very good on first hearing. Then it's into SORRY SUZANNE and JUST ONE LOOK.

As Tony turns round to pick up the sitar, Carl carries on the tradition of making fun of Tony's wardrobe as Tony tells us all that Asda are his tailors! The sitar is of course for THE BABY, which is the first time I have heard it done, and everyone puts their all into it. Please keep that one in for a long time to come, it is terrific.

Just when you think "follow that", they do, with reference from Carl about us slipping towards war, introducing the powerful SOLDIERS SONG. Credit all round to Carl for great vocals on this, dramatic combination of Ian's arrangement on keyboard and Bob's drumming, a real show stopper!

To quieten things down Carl, Bob and Ian leave the stage, Ray tried to but he was stopped by Tony! We have three guitars on the front line for the acoustic set which starts with a lovely version of GASOLINE ALLEY BRED, the vocals being shared between the three lads, brilliant. Next is for me the highlight of the evening, Tony takes the vocals on his own classic TOO YOUNG TO BE MARRIED. His voice is perfect for this song, please will someone record it and include it on a future CD for us avids to keep!

The rest of the band are back for BUS STOP, then it's Move time again with BLACKBERRY WAY. Carl and Tony are amused by two fans at the front who are obviously enjoying this song. Tony thinks they are related to Carl, and Carl promises to pay them later for their support! Tony then tells them hard luck as it's back to their stuff now!

Next is CARRIE ANNE, then the intro to the classic AIR THAT I BREATHE, wow is it that time already? Carl kids us that they are going, oh no you're not we think, in fact we know they're not. Tony belts into the last Move song I CAN HEAR THE GRASS GROW, his enjoyment in playing this song obvious, and then it's on to the banjo intro for STOP STOP STOP. By now it is getting hard to stay in our seats, but we all end up with sore hands from clapping.

Even harder is TIGER FEET with Ray taking vocals for this great Mud classic. Lets hear some more from Ray as well, he has been quiet in the background for long enough!

To end on is the evergreen HE AIN'T HEAVY. The song finishes to a standing ovation, which the boys thoroughly merited, and a very choked Carl introduces the enigmatic verse of IT'S IN EVERY ONE OF US.

This has to be the best show I have seen in a long while, full credit to everyone. Next show for me is my home town of Hastings. 

Thanks for a great evening boys.

Janet Pearson

Nottingham Royal Concert Hall, Wednesday 5th March by Lesley Haywood, Nottingham

Tony with Brian Tansley of BBC Radio Nottingham before the show.

I was looking forward to this concert for many reasons, the main one being that I wouldn't have seen them in my home town of Nottingham if the tour had gone ahead as planned in November 2002. Rob & I went on a fabulous cruise then to celebrate my 50th birthday, and we would have missed several concerts.

This concert was the first I've seen on this tour and although I had been told by Rob and many of our friends that the show was good, I don't think I was prepared for it to be so fabulous. I was on the front row, in the middle, with my son, Andy, daughter, Jayne & her fiancé, Nik. Most of the rest of the row was filled with very good friends of ours that we have made through our mutual love of The Hollies and their music. Having spoken to most of them the lights went down and we waited for the show.

They started with Long, Cool Woman which immediately got the audience clapping and tapping their feet. Here I Go Again & Jennifer Eccles followed straight on. After a much deserved applause Carl thanked everyone for coming and introduced Tony & Bob as founder members for this 40th year tour. 

Yes I Will was sung next and the first half was flying by.  Tony spoke of Carl's singing with The Move and promised they would sing some of their songs later, which they did. Sandy was also a new addition, lovely song with a brilliant guitar solo by Alan Coates.

More hits followed then the first half finished with Blowin' In The Wind and the audience clapped long and hard. Carl thanked them for being such a wonderful audience and promised to be back shortly.

We wandered out for a drink, meeting up with our oldest daughter, Helen and her fiancé, David. They were sitting further back than us but agreed that it had been a wonderful first half. This was the first show that David had been to and he was very impressed.

The second half started with How Do I Survive. This song features on the forthcoming new CD and gets better each time I hear it. Sorry Suzanne and Just One Look followed, then The Baby. This is a great song live, as is the next one they sang, Soldier's Song. I remember seeing this at my first Hollies concert in 1985 and thinking how dramatic it was. It has lost none of its magic and remains my favourite live song. 

Bobby, Ian & Carl then left the stage and Tony, Alan & Ray sang acoustic versions of Gasoline Alley Bred & Too Young To Be Married. These were absolutely fabulous, and deservedly received tumultuous applause. Tony sang Too Young and it sounded brilliant. I wish they could have sung a couple more acoustic songs. The others returned to sing Bus Stop, then another Move song, Blackberry Way. Carl got the audience singing along to this and even held the microphone in front of our good friend, Jim Tann who gamely sang along.  Carl soon took the mike back and told him he was too good!! 

Carrie Anne was next and then Carl announced they were finishing with Air That I Breathe (we knew differently, there had to be more). This is a very emotional song and the audience really appreciated it. Carl then asked if they wanted more, which of course they did. They then sang their final Move song, I Can Hear The Grass Grow, followed by Stop, Stop, Stop and Tiger Feet. Ray takes the lead on this and there were a few people up dancing to this - there's not much room for this at Nottingham.

The tempo changed then with He Ain't Heavy and all too soon the show was nearly over. The audience were standing and clapping & cheering. Carl thanked them for being such a great audience and they finally finished on the now familiar snippet from It's In Every One Of Us. It sounded brilliant.

So ended my first show of this tour and I am already looking forward to the next.

There are lots of changes for this years show which is very exciting and enjoyable. 

Anybody who hasn't got tickets yet and is thinking they might go - buy them quickly before they sell out, you'll see a fabulous show.

Lesley Haywood

Nottingham Royal Concert Hall, Wednesday 5th March by Madeleine and Alison Evans,  Liverpool.

It had been 19 months since we'd seen The Hollies so my daughter and I took our seats in Nottingham's Royal Concert Hall eagerly awaiting the appearance of our favourite band.

The lights went down, the familiar music and stage lighting began, then there they were belting out 'Long Cool Woman' which set the mood for the next two hours. Hit after hit followed, plus a few new additions, including 'Fire Brigade', 'Gasoline Alley Bred', and 'Sandy'.

Carl looked and sounded better than ever and Tony's cream mandarin-collared suit reminded me somewhat of those white outfits the Hollies wore in the 60's. Tony still looks amazingly youthful and my daughter can't believe he's actually ten years older than her Dad!!

The second half began with 'How Do I Survive' which Tony said they'd recorded at Abbey Road last month (I wonder if his son Paul who is a Sound Recordist there worked with them?) It was great to hear some new material at last!

My favourite song of the evening came next - 'Too Young To Be Married' sung and played beautifully by Tony, who of course wrote it.

We missed a couple of songs which have been retired for this tour,  particularly 'Blackbird' and 'Peggy Sue Got Married', but we were glad they kept in 'Soldier's Song'.

'The Air That I Breathe' and 'He Ain't Heavy' signalled that the concert was nearing its end. Everyone danced to 'Tiger Feet' and the applause following 'It's In Everyone Of Us' was amazing - a standing ovation followed! The boys seemed overwhelmed by the fantastic response from a very appreciative crowd and left the stage with the audience longing for more!!

Luckily Alison and I won't have to wait another 19 months for a repeat performance as we'll be at Buxton and Preston in April.

Well done to the Hollies - a tremendously talented band who just keep on getting better.

As Carl said - here's to the 50th Anniversary!!

Madeleine and Alison Evans.

Nottingham Royal Concert Hall, Wednesday 5th March by Vince and Marie Ashbrook

"It's Wednesday - it must be Nottingham!"

Here we go again driving to one of our local venues, the Royal Concert Hall in Nottingham and it's raining, not unusually for our visits to Nottingham. Having left ourselves more than enough time for the trip we arrive at the theatre well ahead of time. This gives us the opportunity to remind ourselves of where the stage door is and to exchange stories with our fellow Hollies fans.

The Royal Concert Hall was one of those halls especially built with classical music in mind and as such the acoustics are very good. 7.30 approaches and the atmosphere is building up, virtually on time the lights are extinguished and we are into the new first-half intro, a bit of the gipsy in this - shades of Bohemia. In the back-of-stage murk we notice Bobby, Ian and Ray taking their positions and the audience gives them a good welcome, the volume of which is increased when Tony, Alan and Carl take their places.

The boys go straight into that great number, LONG COOL WOMAN. We are still not sure about losing this one from the end of the show but having said that, it certainly is a good number to get the audience going. This is closely followed by HERE I GO AGAIN and JENNIFER ECCLES. By now we can appreciate those good acoustics, the band sounds great with the volume on Tony's guitar just right.

Next Carl introduces his own favourite Hollies number, Carole King's YES I WILL. Carl's voice gives us those extended notes that he does so well. LOOK THROUGH ANY WINDOW is followed by SANDY - Carl's version of this is very deep and passionate, a chance to show his range of powerful notes.

Alan Coates then takes centre stage for the album track BUTTERFLY. We are not sure whether this song has possibly had its day on tour, however it does give Mr. Coates a chance to show off that silky voice, and gives Tony and Carl a first-half break. Soon the full band are back with that great Number 1, I'M ALIVE. The show is on an unstoppable roll now, it's Rock 'n' Roll all the way to the interval. Next up is that super Move song FIRE BRIGADE, still without the sirens and bells but Bob makes up for this with great percussion. Talking of which Bob's intro into WE'RE THROUGH has the usual style, with Ian Parker stage bound and sharing microphones with other band members finishing centre stage in the band's version of musical chairs, with Carl seated at the keyboards.

Next it's ON A CAROUSEL at full speed and again Alan Coates giving us some grand vocals. The first half finishes with Bob Dylan's BLOWIN' IN THE WIND, another chance for Carl to demonstrate those extended vocal gymnastics. A good end to the first half, but we wonder if King Midas In Reverse, perhaps followed by On A Carousel, would not be appropriate to the 40th anniversary tour.

One of the highlights of that first half was Tony's magical 12-string guitar episodes.

The second half starts with the new song recorded in the Abbey Road studios, HOW DO I SURVIVE. It is a good song, but its complicated structure makes it difficult to sing along with. Then it's back to familiar territory with SORRY SUZANNE and the immaculate JUST ONE LOOK. We are then treated to our favourite Carl Wayne Hollies number, Chip Taylor's THE BABY, the original version of which was of course sung by Mikael Rickfors during Allan Clarke's spell away. Carl's version is outstanding, just think what a re-release of this song with Carl on vocals would do, also including some fine sounds from Tony's Guitar Sitar.

Another song follows that Carl has grown into, SOLDIER'S SONG. Tony pointed out what a particularly good job Carl had done on this song tonight, in fact a very good performance from the entire band. 

The band now becomes three, with Ray feeling his way to the centre microphone. The next two songs, GASOLINE ALLEY BRED and TOO YOUNG TO BE MARRIED are becoming a real highlight of the show. Tony's almost innocent voice is very refreshing, and with terrific vocals from Alan Coates and Ray Stiles, it is true harmony. Tony singing his own song, Too Young, is a collector's item and the guitar solo with that new electric acoustic is wonderful.

Carl is back on stage, cracking a gag to introduce BUS STOP and the band are back at full steam ahead. This leads us into the second of those Move numbers, BLACKBERRY WAY. Carl is now at one with the audience and he is hard at work getting full audience participation. The crowd react well and are shouting for more. We are then led into the sounds of the Caribbean for CARRIE ANNE, another good all rounder, and all the boys seem to be enjoying themselves.

Now we are confused, Carl announces the end of the show with AIR THAT I BREATHE - what, no Stop, Stop, Stop? Has Tony at last retired the banjo? Air That I Breathe was as good as usual and left Carl asking if we wanted more - as if the answer would be 'no'!

The Hollies now go into the last Move song of the evening, the powerful I CAN HEAR THE GRASS GROW. Tony seems to love this and his guitar work again gives the song real body. As for the lyrics, well it was the sixties!

Carl again asks the audience if we want more and introduces Tiger Feet - Ray stays seated and with shrieks from the rest of the band Carl is reminded that he has forgotten STOP, STOP, STOP! Now with everyone in place, it's 'straight in' without the usual long banjo intro. We are surprised that no-one is up dancing at this point. (I was willing, says Marie, but didn't want to be the first or only!) Soon Ray is back centre stage and the band go straight into that Mud classic TIGER FEET. Let the dancing commence, and it does as most of the front row are on their feet. Ray still can't get Tony to shake guitars with him but Alan Coates goes for it.

The audience applause precedes HE AIN'T HEAVY, HE'S MY BROTHER, a live favourite of all age groups and the reason why a lot of the audience are there. The band finish with that moving verse from IT'S IN EVERY ONE OF US, leaving Bobby to thank the Nottingham audience as they had been a wonderful crowd.

As we leave the theatre we find the rain has stopped and we circulate at the stage door for a natter with friends and a last chance to thank the band members for another GREAT NIGHT.

Written by Vince Ashbrook - Edited by Marie Ashbrook - 5 March 2003 

Nottingham Set List

Hull City Hall - Wednesday 27 February 2003 By Wendy Holt and Wendy Shepherd, Sheffield

We were more nervous than excited when we set off for Hull for what would be our first concert of the 40th anniversary tour. It had been so long since we had been to a theatre concert and so much had happened to so many people that we had shaky hands rather than butterflies in the tummy. We reached Hull without any problems, only to find ourselves almost entering a car park which closed at 7.30 pm., not much use to us, so after driving round and hoping, we eventually parked by the railway station.  As we had never been to the City Hall we had a walk round to get our bearings and got the first treat of the day - overhearing part of the sound check. This confirmed that Carl was the singer and Soldier's Song was probably still on the list.

The lights went down at 7.30 pm and the new intro started, it created a good atmosphere and then the applause started for the back line-up. The applause got louder as Alan and Tony took their positions and then Carl came on to the first few bars of LONG COOL WOMAN. This was the first change to previous programmes and was very well received, we were just hoping they didn't repeat it at the end as had happened in the past. There was no pause as they went straight into HERE I GO AGAIN and JENNIFER ECCLES, all of which were very well appreciated by the audience. Carl then introduced his own favourite Hollies song, YES I WILL, which he sings very well, adding his own personal line - 'I'll be true to Sue, yes I will'.

Next there was the long-standing LOOK THROUGH ANY WINDOW - for anyone still to see this performed on stage, watch Ray and just be amazed at how much effort he puts into his guitar playing. Take time and close your eyes to concentrate the hearing sense on the arrangements which make up these brilliant sounds. Often we can be impressed by the whole wonderful package of the Hollies sound but it can be just as good to pick out a certain member and concentrate for a little while on their particular efforts.

Next came a re-addition to the playlist - SANDY. Carl sang this in his own style and it was good to hear Alan Coates playing a different guitar solo in this song. We were surprised when Alan took centre stage for BUTTERFLY as we had expected this song to be dropped. He sings this beautifully with terrific support from Ray and Ian - perhaps we have to accept that he never will be confident without the words written down. The rest of the band came back on stage for I'M ALIVE which gets the audience clapping and then there was another surprise - FIRE BRIGADE. We never expected to hear the boys sing this one but they looked as though they were really having fun and the audience certainly enjoyed it. Ian entertained the audience with his walkabout in WE'RE THROUGH and then Alan took the lead for ON A CAROUSEL. This always gets the audience clapping as does the closing song in the first half, BLOWIN' IN THE WIND. Carl seemed to be really on form, he may have lost a little bit of weight but none of his enthusiasm or vocal skills. Well done, Carl. 

During the interval we reflected on the first half - not as many changes as we might have hoped for, surprised that Sandy was back but thoroughly entertained by Fire Brigade. What would the second-half bring?

The second half started with the aeroplane sounds which always creates excitement and then an instrumental introduction to the new recording HOW WILL I SURVIVE. It was very well presented and it might have made more impact if the new CD had been on sale at the concert. Familiar hits followed - SORRY SUZANNE and JUST ONE LOOK, always professionally performed - apart from the occasional broken string by Alan. Tony picked up the sitar and demonstrated all his skills as he entertained us before Carl started singing THE BABY. Carl has really made this song his own and for a lot of Hollies fans it would have made a welcome addition to the new CD. The drama continued as Carl introduced SOLDIER'S SONG, perhaps more appropriate now than it has ever been.

Carl, Ian and Bob took a break at this stage as Ray came down to the centre mike. What were we going to hear? Joy of joys, GASOLINE ALLEY BRED with Alan, Ray and Tony taking a verse each. It was worth coming to Hull just to hear this, absolutely wonderful. Ray stayed at the front as Tony started on the intro to TOO YOUNG TO BE MARRIED and then another surprise, he was going to sing his own song! and what a great job he did. He always looks a little embarrassed when he takes lead but he does it so well he should be very proud. It was brilliant to hear this song performed this way.

Carl came back on stage to take the lead on BUS STOP and then we had a now familiar Move song - BLACKBERRY WAY - in which Carl encouraged the audience to take part.

After this we had the sound of the Caribbean with CARRIE ANNE and then the atmosphere calmed down for the ever popular AIR THAT I BREATH. Carl sings this in his own way making it into a sing-along, more like Mick Hucknall than Allan Clarke.

The atmosphere changed once again with the Indian influence with Tony 'buggering about' on the banjo before launching into STOP, STOP, STOP, this is always good for getting the audience into the swing of things. The next song was a surprise, another Move song - I CAN HEAR THE GRASS GROW. The audience recognised it and showed their appreciation.

Ray took centre stage again for TIGER FEET which always gets the front rows at least on their feet but after this the mood changed and Carl picked up the harmonica for HE AIN'T HEAVY which was instantly recognised by the audience. They clapped and cheered when all the band members came to the front at the end of the song.

Carl thanked everyone for coming and then said they were finishing with a verse of a song which had special meaning to so many people. IT'S IN EVERYONE OF US sends tingles up the spine and can bring tears to the eyes; after just one verse Bob very formally said goodnight and thank you 'Kingston-upon-Hull'. The crowd were on their feet cheering and clapping, the band responded with claps and waves and as they walked off stage we knew all the old sparkle and enthusiasm were there, the boys are back on tour, well done lads.

Wendy Holt & Wendy Shepherd

Hull, second night Set List

The Alban Arena, St Albans  26 February 2003  by Dick Evans

First tour date of 40^th Anniversary year.    First gig after Carl’s operation.

As the lighting dimmed, the backing intro of the opening number  LONG COOL WOMAN came through the sound system, then through the ‘stage mist’ appeared the 5 musicians followed shortly, to a THUNDEROUS applause, by lead vocalist CARL WAYNE who straight away got the audience involved in the traditional clapping along with Bobby’s drumming. This set the theme for the evening and being a compact venue it was easy for Carl to strike up a rapport with the front few rows.

The high quality of music and tight harmony that we have come to expect was there right from the start as familiar favourites were belted out with sheer enthusiasm that a lot of modern bands could learn from!!!!!

JUST ONE LOOK and JENNIFER ECCLES came next and as I looked around the audience, which seemed to comprise of at least four generations, most of them as well as me were singing along.

The first of many guitar changes for Tony followed as YES I WILL and LOOK THROUGH ANY WINDOW were accompanied with the 12 stringer.

The Springsteen classic SANDY was then followed by an ethereal solo spot for Alan with BUTTERFLY backed by the ‘mini orchestra’ arrangement of Ian.

I’M ALIVE, WE’RE THROUGH, CAROUSEL and BLOWIN IN THE WIND all classic concert numbers with Carl’s own FIRE BRIGADE, again with the audience singing the chorus, brought the first half to a well deserved break.

The second half commenced with the new song HOW DO I SURVIVE and judging by the reaction of the crowd this would soon become a popular number with, hopefully, high sales of the impending ‘40^th Anniversary’ CD.

SORRY SUZANNE and HERE I GO AGAIN came before Tony changed instrument to a “What the hell is that?” comment from Carl. “It’s a Sitar” was the reply and you instinctively knew that THE BABY was the next number.

With a few comments from Carl on the current World situation and possible war with the Middle East we were then treated to SOLDIERS SONG. This demonstrated just how powerful a voice and how much interpretation he can put into a song. This song, more than any other, showed that he has recovered from the operation of last year. It was superb.

Acoustic versions of GASOLINE ALLEY and TOO YOUNG TO BE MARRIED changed the mood before BUS STOP brought the audience back into singing mode. The solo riff in TOO YOUNG was more than worthy of the applause it received (good on yer TONY).

Another Move number, BLACKBERRY WAY, followed by CARRIE ANNE upped the tempo again, and then another instrument change for Tony. His comment as he slipped the banjo over his head “It’s back”. What must have gone through everyone’s mind being are we going to get the ‘long intro or the short intro’? Lo and behold the long one led us into STOP. STOP. STOP. By this time there was quite a bevy of beauties dancing in front of the stage.

The AIR THAT I BREATHE signalled that we were coming to the end of a very memorable evening but not before we were treated to Ray taking centre stage for TIGER FEET and then all joining in for I CAN HEAR THE GRASS GROW.

The No 1 from 1988, HE AIN'T HEAVY was the show stopper finale as the audience gave a very long and well deserved standing ovation. We were rewarded with one verse of IT’S IN EVERYONE OF US before the band left.

All in all for the first gig of 2003 this was well worth the wait from the original date back in November of last year, and it showed that all the professionalism, dedication and enjoyment is still there.

May you go on FOREVER. Thanks lads.

St Albans, Wednesday 26 February  -  Review by Rob Bird 

After the extreme disappointment of the cancellation of the winter tour, I spent 1 hour and 45 minutes on a train trying not to think of what lay ahead because every time I thought about it, my stomach seemed to tie itself in a knot!

Walking into the concert hall, I took my seat, and before I knew it, the lights had dimmed and there was a buzz of anticipation around the place.

The spotlights came on and, amongst the huge cheer, I observed Tony and Alan playing the intro to Long Cool Woman.  For a second I felt a touch of dismay, 'this is the song you play at the end, not the start' I mused.  This thought didn't dwell for  long. Carl launched into the vocals, Bobby powered out the beat on the drums and it was like the boys hadn't been away.

Some of my thoughts on that train journey concerned Carl. His operation was not one to be taken lightly, but given that his voice is effectively his career, I just hoped he hadn't lost any of his vocal prowess that I had already come to enjoy from his previous concerts with the band.  Thankfully, I needn't had worried - without hardly a pause, the band had flawlessly nailed Just One Look and Jennifer Eccles (in which Alan treated us to a little bit of slide guitar).

Carl's self-proclaimed Hollies favourite Yes I Will followed, again, flawless.  For a band that (as a collective unit) had been out of action since last year,  there professionalism and desire for absolute perfection was definitely on display.

Look Through Any Window is currently one of my faves. Again, this one followed hot on the heels of the last.  Tony produced some magic on his 12 stringer - it sounded so crisp and clear and the accompanying songsmanship of Alan and Carl combined to bring the house down.

They then proceeded to do Sandy. This is a special song for me. A while back, on the Hollies guestbook, I was asked if anyone knew the words to the song.  I replied, and now some few years on, I have a very close penfriend (well, internet email friend - hello Em!).  Carl's take on this was a breath of fresh air. He has a knack of  taking some of the vocals and extending the words for extra effect - and it really works well. This was the first time they had played this and  the crowd received it well. Carl even gave me a wink when he saw me singing every word to this one.!

Butterfly followed, then I'm Alive.  A song that dates to 1965, yet if you hear it in concert, you'd never guess.  Carl's great vocal and Tony and Alan's harmony take this to another level.  Brilliant.

Having almost bruised my hand clapping, we hit Fire Brigade.  I've heard this one on the radio a few times, and this version seemed very faithful to it. Ray chipped in with some vocals for this one, and gain, the audience could only admire and show their appreciation for this fantastic rendition. One to watch for if you are attending any of the future concerts.!

We're Through was finally delivered, although only after Tony had screamed at Bobby  to 'go!'.  Bobby was tinkering around on the cymbals whilst Tony was imploring him to start hitting the drum intro.  Carl, professional as always, was not fazed by this, bided his time and then sang his heart out. Bobby, I'll be watching this one in Chatham!!

On A Carousel was duly dispatched with aplomb and then Carl took us into the break with his now familiar take on Blowing In The Wind.

The second half was on us before you could gather your breath. They opened with How Do I Survive, the new single which is due to feature on the forthcoming release.  Great rhythm guitar, 3  (sometimes 4) part harmonies and Tony delivering a belting solo which heralded the end of the song.  A trademark Hollies sound.

Sorry Suzanne and Here I Go Again came and went, followed by Tony excelling on the sitar in conjunction with Carl's wistful vocals on The Baby.  Carl was obviously in his element.  He treated us to Soldier's Song and treated himself to a well deserved break once the audience had finally stopped applauding.

Ray replaced him at the front of the stage, and they then nailed Gasoline Alley Bred.  I was a bit disappointed that Carl didn't lead on this one ('cos I think this would suit him so well), but it gave Tony a chance to take one of the verses and having never heard him do that before, it was ample compensation!

Tony was obviously in the groove as he then did his self-penned Aussie hit, Too Young To Be Married.  I will never grow tired of hearing his guitar solo for this song.  Simply superb. 

Bus Stop followed, and then Blackberry Way - Carl had returned and was encouraging maximum audience participation on this one as he casually waved the mike (with stand) towards the front row!  Carrie Anne and Stop Stop Stop came next. Carl teased Tony about the song being written about a brothel. Tony refuted that, but Carl came out on top when he said 'he went to pull a bird, instead he pulled a banjo'.  Great stuff! 

The Air That I Breathe slowed down the tempo, before Tiger Feet speeded it right back up. There was now a throng of people dancing at the front, and The Hollies followed this up with yet another new (live) song, a stomping rendition of I Can Hear The Grass Grow. Another brilliant dusting down of an old classic, and again, another song I can't wait to hear in Chatham when I next see the boys. 

A standing ovation followed an exquisite He Ain't Heavy He's My Brother.  I thought the band was going to leave us after this one, but no, they then delivered an acapella verse of It's In Everyone Of Us.

Bobby thanked the audience and the band took a bow before walking off to the deafening sound of applause ringing in their ears. 

So what can I say.  The Hollies' 40th anniversary is a staggering achievement.  So is going on stage after all the recent events and producing a consistently outstanding performance that covers 28 different songs and keeps an audience of all different ages (and styles) thoroughly entertained and shouting for more. What a night.!

Rob Bird

St Albans Set List